In residence at CCN
MAY 12 TO 17, 2025
DESIGN AND CHOREOGRAPHY - Nina Santes
DIRECTION AND INTERPRETATION - Dalila Khatir, Wol, Silex Silence, Sati Veyrunes, Makeda Monnet
LIGHT CREATION - Louise Rustan
SOUND CREATION - Aria de la Celle
DRAMAATURGIE - Camille Louis
ACCESSORIES - Charlotte Gautier Van Tour
ECODESIGN ADVISOR - Annie Leuridan
TECHNICAL COORDINATION - Steven Lecorre
ADMINISTRATION, PRODUCTION, DEVELOPMENT - Barbara Coffy, Tiphanie Chauvin
PRODUCTION- La Fronde
COPRODUCTION - Centre Chorégraphique National d'Orléans - CCNO; Le Manège, scène nationale-Reims; Charleroi Danse-Bruxelles; Lieu Unique, Nantes as part of La Libre Usine; Fondation Royaumont; Le Carreau du Temple, Paris; La Briqueterie CDCN du Val-de-Marne.
The project is a winner of the Tremplins ARVIVA program encouraging sustainable initiatives in the performing arts, and receives support from Mécénat de la Caisse des Dépôts.
In residence at CCN
MAY 12 TO 17, 2025
Wet Songs is an experimental musical comedy for five performers from different artistic fields - dance, music, spoken word and opera. Steeped in radical science fiction, Wet Songs emerge from a time of great climatic and emotional drought. The piece is the invention of a hydro-community in search of gestures, sounds and words to dissolve borders and binarities, and make way for a fluid future.
Choreographer and dancer Nina Santes sees the stage as a space for emancipation, metamorphosis and freedom. Descended from several generations of itinerant theater and puppet artists, she made her stage debut as a puppeteer before turning to dance. She has developed a transdisciplinary approach, articulating dance with song, music and her relationship with materials and objects. She is an associate artist at the Centre Chorégraphique National d'Orléans and at the Manège de Reims, in the company of La Fronde, from 2021 to 2024.
DESIGN AND CHOREOGRAPHY - Nina Santes
DIRECTION AND INTERPRETATION - Dalila Khatir, Wol, Silex Silence, Sati Veyrunes, Makeda Monnet
LIGHT CREATION - Louise Rustan
SOUND CREATION - Aria de la Celle
DRAMAATURGIE - Camille Louis
ACCESSORIES - Charlotte Gautier Van Tour
ECODESIGN ADVISOR - Annie Leuridan
TECHNICAL COORDINATION - Steven Lecorre
ADMINISTRATION, PRODUCTION, DEVELOPMENT - Barbara Coffy, Tiphanie Chauvin
PRODUCTION- La Fronde
COPRODUCTION - Centre Chorégraphique National d'Orléans - CCNO; Le Manège, scène nationale-Reims; Charleroi Danse-Bruxelles; Lieu Unique, Nantes as part of La Libre Usine; Fondation Royaumont; Le Carreau du Temple, Paris; La Briqueterie CDCN du Val-de-Marne.
The project is a winner of the Tremplins ARVIVA program encouraging sustainable initiatives in the performing arts, and receives support from Mécénat de la Caisse des Dépôts.
In residence at CCN
MAY 12 TO 17, 2025
DESIGN AND CHOREOGRAPHY - Nina Santes
DIRECTION AND INTERPRETATION - Dalila Khatir, Wol, Silex Silence, Sati Veyrunes, Makeda Monnet
LIGHT CREATION - Louise Rustan
SOUND CREATION - Aria de la Celle
DRAMAATURGIE - Camille Louis
ACCESSORIES - Charlotte Gautier Van Tour
ECODESIGN ADVISOR - Annie Leuridan
TECHNICAL COORDINATION - Steven Lecorre
ADMINISTRATION, PRODUCTION, DEVELOPMENT - Barbara Coffy, Tiphanie Chauvin
PRODUCTION- La Fronde
COPRODUCTION - Centre Chorégraphique National d'Orléans - CCNO; Le Manège, scène nationale-Reims; Charleroi Danse-Bruxelles; Lieu Unique, Nantes as part of La Libre Usine; Fondation Royaumont; Le Carreau du Temple, Paris; La Briqueterie CDCN du Val-de-Marne.
The project is a winner of the Tremplins ARVIVA program encouraging sustainable initiatives in the performing arts, and receives support from Mécénat de la Caisse des Dépôts.
In residence at CCN
MAY 12 TO 17, 2025
DESIGN AND CHOREOGRAPHY - Nina Santes
DIRECTION AND INTERPRETATION - Dalila Khatir, Wol, Silex Silence, Sati Veyrunes, Makeda Monnet
LIGHT CREATION - Louise Rustan
SOUND CREATION - Aria de la Celle
DRAMAATURGIE - Camille Louis
ACCESSORIES - Charlotte Gautier Van Tour
ECODESIGN ADVISOR - Annie Leuridan
TECHNICAL COORDINATION - Steven Lecorre
ADMINISTRATION, PRODUCTION, DEVELOPMENT - Barbara Coffy, Tiphanie Chauvin
PRODUCTION- La Fronde
COPRODUCTION - Centre Chorégraphique National d'Orléans - CCNO; Le Manège, scène nationale-Reims; Charleroi Danse-Bruxelles; Lieu Unique, Nantes as part of La Libre Usine; Fondation Royaumont; Le Carreau du Temple, Paris; La Briqueterie CDCN du Val-de-Marne.
The project is a winner of the Tremplins ARVIVA program encouraging sustainable initiatives in the performing arts, and receives support from Mécénat de la Caisse des Dépôts.
RESIDENCY AT CCN GRENOBLE
JUNE 29-30, 2024
DECEMBER 21-22, 2024
WITH THE ARTISTS: Ruth Childs, Katerina Andreou, Bryan Campbell, Luara Raio
SUPPORT: CCN de Grenoble, Pavillon/ADC, in progress
RESIDENCY AT CCN GRENOBLE
FROM JANUARY 2024 TO DECEMBER 2025
JUNE 29-30, 2024
DECEMBER 21-22, 2024
On arriving for her residency in the CCN Grenoble studio, facing the mountains, Ruth Childs found herself thinking about the artists who had passed through this place before her and would do so after her. She knew some of them very well, others a little less, by name or by sight, others not at all. She was struck by the lack of connection between them. She wanted to leave a note of encouragement, a surprise, check in, ask a question about something she'd picked up from their work. But due to lack of time, caught up in her own work, her thoughts simply materialized in the form of "likes" via social networks, a Facebook or Instagram page.
To combat this lack of exchange, symptomatic of the current era, she drew inspiration from the free, intimate, handwritten correspondences of Judson Church members (Steve Paxton, Yvonne Rainer, Lucinda Childs...) to imagine a space-time for correspondence with a small group of artists. A space-time to exchange ideas, ask questions, get lost together, have fun, tell each other details of their artistic questionings and troubles. These exchanges can be short and spontaneous (like a postcard) or more polished (like a letter), but will preferably be handwritten and sent by post.
The primary aim of this project is to open up and share the experience of a genuine long-term exchange. In a second phase, and in agreement with the group, we could consider publishing some or all of the correspondence produced in 2026.