
In residence at CCN
MAY 12 TO 17, 2025
Premiere on October 10 and 11, 2025 AT THE EXCENTRIQUES FESTIVAL, LA BRIQUETERIE - CDCN
CONCEPT AND CHOREOGRAPHY: Nina Santes
CREATION AND PERFORMANCE: Dalila Khatir, Wol, Sati Veyrunes, Makeda Monnet, Silex Silence
DRAMATURGY: Camille Louis
LIGHTING DESIGN: Louise Rustan
SOUND DESIGN: Aria de la Celle
SET DESIGN AND PROPS: Charlotte Gautier Van Tour
ECO-DESIGN CONSULTANT: Annie Leuridan
ADMINISTRATION, PRODUCTION, AND DEVELOPMENT: Barbara Coffy
PRODUCTION: La Fronde
CO-PRODUCTION: Centre Chorégraphique National d’Orléans – CCNO; Le Manège, National Stage – Reims; Charleroi danse, Choreographic Center of Wallonia–Brussels; Royaumont Foundation; Carreau du Temple, Le Lieu Unique – National Stage of Nantes, La Briqueterie – CDCN of Val-de-Marne, CCN of Grenoble as part of the Accueil Studio program, CDCN Dancing.
The project is a winner of the ARVIVA Tremplins program, which supports sustainable initiatives in the performing arts, and receives support from the Caisse des Dépôts’ patronage program.
© Nina Santes
In residence at CCN
MAY 12 TO 17, 2025
Premiere on October 10 and 11, 2025 AT THE EXCENTRIQUES FESTIVAL, LA BRIQUETERIE - CDCN
“Wet Songs” is an experimental musical for five performers from various artistic fields—dance, music, spoken word, and opera—that invokes and celebrates the element of water.
As an act of resistance against the drying up of emotions and the prevailing air of isolation, the piece explores space, bodies, and memories in search of what emerges, flows, wets, gushes, overflows, leaks, sweats, transgresses, and dissolves within us… from the cracks and fissures.
In a paradoxical era where the air grows ever warmer yet bodies and emotions seem ever colder, individuals gather around a strange kitchen, from which they draw forth tides of words, gestures, and sounds through the power of listening and vibration. *Wet Songs* is a piece structured around songs, drawing inspiration from the musical genre to form a non-linear narrative of liquid worlds.
Choreographer and dancer Nina Santes views the stage as a space for emancipation, metamorphosis, and freedom. Coming from several generations of traveling theater and puppetry artists, she made her stage debut as a puppeteer before turning to dance. She has developed a transdisciplinary approach, blending dance with song, music, and an engagement with materials and objects. She is an associate artist at the Centre Chorégraphique National d’Orléans and at the Manège de Reims, with the company La Fronde, from 2021 to 2024.
CONCEPT AND CHOREOGRAPHY: Nina Santes
CREATION AND PERFORMANCE: Dalila Khatir, Wol, Sati Veyrunes, Makeda Monnet, Silex Silence
DRAMATURGY: Camille Louis
LIGHTING DESIGN: Louise Rustan
SOUND DESIGN: Aria de la Celle
SET DESIGN AND PROPS: Charlotte Gautier Van Tour
ECO-DESIGN CONSULTANT: Annie Leuridan
ADMINISTRATION, PRODUCTION, AND DEVELOPMENT: Barbara Coffy
PRODUCTION: La Fronde
CO-PRODUCTION: Centre Chorégraphique National d’Orléans – CCNO; Le Manège, National Stage – Reims; Charleroi danse, Choreographic Center of Wallonia–Brussels; Royaumont Foundation; Carreau du Temple, Le Lieu Unique – National Stage of Nantes, La Briqueterie – CDCN of Val-de-Marne, CCN of Grenoble as part of the Accueil Studio program, CDCN Dancing.
The project is a winner of the ARVIVA Tremplins program, which supports sustainable initiatives in the performing arts, and receives support from the Caisse des Dépôts’ patronage program.
© Nina Santes
In residence at CCN
MAY 12 TO 17, 2025
Premiere on October 10 and 11, 2025 AT THE EXCENTRIQUES FESTIVAL, LA BRIQUETERIE - CDCN
CONCEPT AND CHOREOGRAPHY: Nina Santes
CREATION AND PERFORMANCE: Dalila Khatir, Wol, Sati Veyrunes, Makeda Monnet, Silex Silence
DRAMATURGY: Camille Louis
LIGHTING DESIGN: Louise Rustan
SOUND DESIGN: Aria de la Celle
SET DESIGN AND PROPS: Charlotte Gautier Van Tour
ECO-DESIGN CONSULTANT: Annie Leuridan
ADMINISTRATION, PRODUCTION, AND DEVELOPMENT: Barbara Coffy
PRODUCTION: La Fronde
CO-PRODUCTION: Centre Chorégraphique National d’Orléans – CCNO; Le Manège, National Stage – Reims; Charleroi danse, Choreographic Center of Wallonia–Brussels; Royaumont Foundation; Carreau du Temple, Le Lieu Unique – National Stage of Nantes, La Briqueterie – CDCN of Val-de-Marne, CCN of Grenoble as part of the Accueil Studio program, CDCN Dancing.
The project is a winner of the ARVIVA Tremplins program, which supports sustainable initiatives in the performing arts, and receives support from the Caisse des Dépôts’ patronage program.
© Nina Santes
In residence at CCN
MAY 12 TO 17, 2025
Premiere on October 10 and 11, 2025 AT THE EXCENTRIQUES FESTIVAL, LA BRIQUETERIE - CDCN
CONCEPT AND CHOREOGRAPHY: Nina Santes
CREATION AND PERFORMANCE: Dalila Khatir, Wol, Sati Veyrunes, Makeda Monnet, Silex Silence
DRAMATURGY: Camille Louis
LIGHTING DESIGN: Louise Rustan
SOUND DESIGN: Aria de la Celle
SET DESIGN AND PROPS: Charlotte Gautier Van Tour
ECO-DESIGN CONSULTANT: Annie Leuridan
ADMINISTRATION, PRODUCTION, AND DEVELOPMENT: Barbara Coffy
PRODUCTION: La Fronde
CO-PRODUCTION: Centre Chorégraphique National d’Orléans – CCNO; Le Manège, National Stage – Reims; Charleroi danse, Choreographic Center of Wallonia–Brussels; Royaumont Foundation; Carreau du Temple, Le Lieu Unique – National Stage of Nantes, La Briqueterie – CDCN of Val-de-Marne, CCN of Grenoble as part of the Accueil Studio program, CDCN Dancing.
The project is a winner of the ARVIVA Tremplins program, which supports sustainable initiatives in the performing arts, and receives support from the Caisse des Dépôts’ patronage program.
© Nina Santes

RESIDENCY AT THE CCN GRENOBLE
JUNE 29-30, 2024
DECEMBER 21-22, 2024
PUBLIC PROGRAMS: Ruth Childs, Katerina Andreou, Bryan Campbell, Luara Raio
SUPPORTED BY: CCN Grenoble, Pavillon/ADC, en cours
RESIDENCY AT THE CCN GRENOBLE
FROM JANUARY 2024 TO DECEMBER 2025
JUNE 29-30, 2024
DECEMBER 21-22, 2024
Upon arriving for her residency at the CCN studio CCN Grenoble, with the mountains before her, Ruth Childs thinking about the artists who had passed through—those who had been there before her and those who would come after. She knows some of them very well, others less so, by name or by sight, and still others not at all. She was struck by the lack of connection between them. She wanted to leave a little note of encouragement, a surprise, check in, ask a question about elements she had picked up from their work. But due to a lack of time, caught up in her own work, her thoughts simply materialized as “likes” via social media, a Facebook page, or Instagram.
To combat this lack of exchange, symptomatic of the current era, she draws inspiration from the free, intimate, handwritten correspondence of members of the Judson Church (Steve Paxton, Yvonne Rainer, Lucinda Childs…) to imagine a space-time that allows for correspondence with a small group of artists. A space-time to exchange ideas, ask questions, get lost together, have fun, and share the details of their artistic questions and struggles. These exchanges may be short and spontaneous (like a postcard) or more carefully crafted (like a letter), but should, ideally, be handwritten and sent by mail.
The primary goal of this project is to foster openness and the shared experience of a genuine, long-term exchange. In a second phase, and in agreement with the group, a publication of some or all of the correspondence produced in 2026 could be considered.