In residence at CCN
MARCH 10 TO 14, 2025
Premiere May 22-25, 2025 at Kunstenfestivaldesarts, Brussels
CONCEPT AND CHOREOGRAPHY: Louise Vanneste
SOUND: Cédric Dambrain
DRAMAATURGY: Sara Vanderieck
SCENOGRAPHY AND LIGHTING: Arnaud Gerniers
ARTISTIC COLLABORATION: Paula Almiron & Anja Röttgerkamp
DIFFUSION, PRODUCTION AND ADMINISTRATION: Alma Office - Alix Sarrade
PRODUCTION: Louise Vanneste / Rising Horses
CORPODUCTION: Charleroi danse, Pole Sud CDCN Strasbourg and LesBrigittines, Brussels
WITH THE SUPPORT OF the Fédération Wallonie-Bruxelles
In residence at CCN
MARCH 10 TO 14, 2025
Premiere May 22-25, 2025 at Kunstenfestivaldesarts, Brussels
"Five perfomers relate to phenomena such as rock metamorphism, the chemical workings of fire, mountain building and erosion processes. The mind is activated by the imaginary meeting of two rocks. A physical response is generated by the body, which allows itself to be invaded: narration, hallucination, scientific and chemical information, memories, sensations, and so on.
Through polyphonic and kaleidoscopic writing, made up of interweaving human and non-human voices, I wish to create a form of science-fictional and dreamlike epic that traverses both narrative and abstraction, the poetic and the tangible, the imaginary and the factual." Louise Vanneste
After training in classical dance, Belgian choreographer Louise Vanneste turned to contemporary dance and joined P.A.R.T.S. in Brussels. She continued her training in New York with the Trisha Brown Dance Company. Her artistic research seeks to broaden the territories of dance, exploring in particular the workings of plants and scientific phenomena linked to geology and climate. Alongside her choreographic work, Louise Vanneste has been involved in teaching and transmission for the past ten years. In 2024-2025, she will be artist-in-residence at UC Louvain.
CONCEPT AND CHOREOGRAPHY: Louise Vanneste
SOUND: Cédric Dambrain
DRAMAATURGY: Sara Vanderieck
SCENOGRAPHY AND LIGHTING: Arnaud Gerniers
ARTISTIC COLLABORATION: Paula Almiron & Anja Röttgerkamp
DIFFUSION, PRODUCTION AND ADMINISTRATION: Alma Office - Alix Sarrade
PRODUCTION: Louise Vanneste / Rising Horses
CORPODUCTION: Charleroi danse, Pole Sud CDCN Strasbourg and LesBrigittines, Brussels
WITH THE SUPPORT OF the Fédération Wallonie-Bruxelles
In residence at CCN
MARCH 10 TO 14, 2025
Premiere May 22-25, 2025 at Kunstenfestivaldesarts, Brussels
CONCEPT AND CHOREOGRAPHY: Louise Vanneste
SOUND: Cédric Dambrain
DRAMAATURGY: Sara Vanderieck
SCENOGRAPHY AND LIGHTING: Arnaud Gerniers
ARTISTIC COLLABORATION: Paula Almiron & Anja Röttgerkamp
DIFFUSION, PRODUCTION AND ADMINISTRATION: Alma Office - Alix Sarrade
PRODUCTION: Louise Vanneste / Rising Horses
CORPODUCTION: Charleroi danse, Pole Sud CDCN Strasbourg and LesBrigittines, Brussels
WITH THE SUPPORT OF the Fédération Wallonie-Bruxelles
In residence at CCN
MARCH 10 TO 14, 2025
Premiere May 22-25, 2025 at Kunstenfestivaldesarts, Brussels
CONCEPT AND CHOREOGRAPHY: Louise Vanneste
SOUND: Cédric Dambrain
DRAMAATURGY: Sara Vanderieck
SCENOGRAPHY AND LIGHTING: Arnaud Gerniers
ARTISTIC COLLABORATION: Paula Almiron & Anja Röttgerkamp
DIFFUSION, PRODUCTION AND ADMINISTRATION: Alma Office - Alix Sarrade
PRODUCTION: Louise Vanneste / Rising Horses
CORPODUCTION: Charleroi danse, Pole Sud CDCN Strasbourg and LesBrigittines, Brussels
WITH THE SUPPORT OF the Fédération Wallonie-Bruxelles
RESIDENCY AT CCN GRENOBLE
JUNE 29-30, 2024
DECEMBER 21-22, 2024
WITH THE ARTISTS: Ruth Childs, Katerina Andreou, Bryan Campbell, Luara Raio
SUPPORT: CCN de Grenoble, Pavillon/ADC, in progress
RESIDENCY AT CCN GRENOBLE
FROM JANUARY 2024 TO DECEMBER 2025
JUNE 29-30, 2024
DECEMBER 21-22, 2024
On arriving for her residency in the CCN Grenoble studio, facing the mountains, Ruth Childs found herself thinking about the artists who had passed through this place before her and would do so after her. She knew some of them very well, others a little less, by name or by sight, others not at all. She was struck by the lack of connection between them. She wanted to leave a note of encouragement, a surprise, check in, ask a question about something she'd picked up from their work. But due to lack of time, caught up in her own work, her thoughts simply materialized in the form of "likes" via social networks, a Facebook or Instagram page.
To combat this lack of exchange, symptomatic of the current era, she drew inspiration from the free, intimate, handwritten correspondences of Judson Church members (Steve Paxton, Yvonne Rainer, Lucinda Childs...) to imagine a space-time for correspondence with a small group of artists. A space-time to exchange ideas, ask questions, get lost together, have fun, tell each other details of their artistic questionings and troubles. These exchanges can be short and spontaneous (like a postcard) or more polished (like a letter), but will preferably be handwritten and sent by post.
The primary aim of this project is to open up and share the experience of a genuine long-term exchange. In a second phase, and in agreement with the group, we could consider publishing some or all of the correspondence produced in 2026.