In residence at CCN
June 17 to 28, 2024
Creation 2025 at HAU, Berlin
CHOREOGRAPHY, DANCE AND VOCAL: Kat Válastur
INTERPRETERS: Kat Válastur, Noumissa Sidibe
SOUND ENGINEERING: Lorenzo Minneci
MUSIC: Ensemble Modern (violin, bass, bassoon)
ASSISTANT CHOREOGRAPHER: Michalis Angelidis
LIGHT CREATION: Martin Beeretz
CERAMICS: Nina Krainer
In residence at CCN
June 17 to 28, 2024
Creation 2025 at HAU, Berlin
An exploration of the magical world of clay and ceramics through the female body, a receptacle with radical potential for a new world to come.
Kat Válastur (b. Athens, Greece) is a choreographer and performer based in Berlin. Her choreographic works are defined by the creation of transformative experiences on stage. Using myth as a tool, she creates a state charged with historical, fictional, social and personal experience. Her precise choreographies are defined by the way bodies are subjected to power, and the way they slowly transform it into a force, a position of resistance. The choreographic conditions she creates, which she calls "force fields", enable her and the performers to construct a choreographic language that has its own characteristics and whose central element is transformation.
CHOREOGRAPHY, DANCE AND VOCAL: Kat Válastur
INTERPRETERS: Kat Válastur, Noumissa Sidibe
SOUND ENGINEERING: Lorenzo Minneci
MUSIC: Ensemble Modern (violin, bass, bassoon)
ASSISTANT CHOREOGRAPHER: Michalis Angelidis
LIGHT CREATION: Martin Beeretz
CERAMICS: Nina Krainer
In residence at CCN
June 17 to 28, 2024
Creation 2025 at HAU, Berlin
CHOREOGRAPHY, DANCE AND VOCAL: Kat Válastur
INTERPRETERS: Kat Válastur, Noumissa Sidibe
SOUND ENGINEERING: Lorenzo Minneci
MUSIC: Ensemble Modern (violin, bass, bassoon)
ASSISTANT CHOREOGRAPHER: Michalis Angelidis
LIGHT CREATION: Martin Beeretz
CERAMICS: Nina Krainer
In residence at CCN
June 17 to 28, 2024
Creation 2025 at HAU, Berlin
CHOREOGRAPHY, DANCE AND VOCAL: Kat Válastur
INTERPRETERS: Kat Válastur, Noumissa Sidibe
SOUND ENGINEERING: Lorenzo Minneci
MUSIC: Ensemble Modern (violin, bass, bassoon)
ASSISTANT CHOREOGRAPHER: Michalis Angelidis
LIGHT CREATION: Martin Beeretz
CERAMICS: Nina Krainer
RESIDENCY AT CCN GRENOBLE
JUNE 29-30, 2024
DECEMBER 21-22, 2024
WITH THE ARTISTS: Ruth Childs, Katerina Andreou, Bryan Campbell, Luara Raio
SUPPORT: CCN de Grenoble, Pavillon/ADC, in progress
RESIDENCY AT CCN GRENOBLE
FROM JANUARY 2024 TO DECEMBER 2025
JUNE 29-30, 2024
DECEMBER 21-22, 2024
On arriving for her residency in the CCN Grenoble studio, facing the mountains, Ruth Childs found herself thinking about the artists who had passed through this place before her and would do so after her. She knew some of them very well, others a little less, by name or by sight, others not at all. She was struck by the lack of connection between them. She wanted to leave a note of encouragement, a surprise, check in, ask a question about something she'd picked up from their work. But due to lack of time, caught up in her own work, her thoughts simply materialized in the form of "likes" via social networks, a Facebook or Instagram page.
To combat this lack of exchange, symptomatic of the current era, she drew inspiration from the free, intimate, handwritten correspondences of Judson Church members (Steve Paxton, Yvonne Rainer, Lucinda Childs...) to imagine a space-time for correspondence with a small group of artists. A space-time to exchange ideas, ask questions, get lost together, have fun, tell each other details of their artistic questionings and troubles. These exchanges can be short and spontaneous (like a postcard) or more polished (like a letter), but will preferably be handwritten and sent by post.
The primary aim of this project is to open up and share the experience of a genuine long-term exchange. In a second phase, and in agreement with the group, we could consider publishing some or all of the correspondence produced in 2026.
As part ofIMPACT FESTIVAL 2024, Delicate People is a project initiated by Ruth Childs and Cécile Bouffard to combine their respective practices of dance and sculpture. Delicate People is a series of vignettes dealing with figures and motifs of troubling identities and adjusted gestures.
Ruth Childs delves into the intimate layers of her physical and emotional memories, triggered by the great classical music tunes, from Beethoven to Tchaikovsky or Dvorak, that she listened to as a child. Programmed at the IMPACT FESTIVAL 2023.
Ruth Childs proposes to make accessible the hyper-presence of a body in performance, the present moment, as well as the collective aspect of preparing for a performance and experiencing this ephemeral moment. Through the body and its use in movement, participants will share a collective yet intimate experience that connects them to their own creativity. Guided by the choreographer, they will draw on an unusual repertoire to nourish their imaginations. In this way, grimace, color and melody will become choreographic tools that will lead them to create performances in natural spaces. Information by e-mail: helene.azzaro@ccn-grenoble.com
For several years now, Ruth Childs has been working on a project to re-create the early works of her aunt, Lucinda Childs, an emblematic figure of American postmodern dance and the minimalist movement. On December 13, 2023, she worked with students in the specialized dance cycle at the Grenoble Conservatory, inviting them to work on this choreographic vocabulary: simple gestures, a taste for repetition and variation, devices that play on trajectories. On March 6, 2024, she will once again be working with Grenoble Conservatory dance students, this time exploring the choreographic material of her last two pieces, Fantasia and Blast!