In residence at CCN
September 30 to October 11
premiered November 13, 2024 at Théâtre de Liège, belgium
DESIGN, CREATION: Eric Arnal-Burtschy
SOUND CREATION CONSULTANCY: in progress
ODEURS CREATION: URCOM - Unité de recherche en chimie organique et macromoléculaire, CNRS, Université Le Havre Normandie
TECHNICAL DIRECTION: Raphaël Noël
PRODUCTION ET DIFFUSION: Zoé Siemen
PRODUCTION : DRAC Hauts-de-France; Région Hauts-de-France; Théâtre de Liège; Le 9-9 bis; De Grote Post, Oostende; workspacebrussels; Le Volcan, Scène nationale du Havre; CCN de Grenoble; Festival Chroniques, Marseille; La Croisée, Rencontres professionnelles du spectacle vivant en Hauts-de-France; Centre Wallonie Bruxelles, Paris; La Ménagerie de verre; L'Oiseau Mouche, Roubaix; Le Gymnase, Centre de développement chorégraphique national; Le BAMP, Bruxelles
In residence at CCN
September 30 to October 11
premiered November 13, 2024 at Théâtre de Liège, belgium
A plateau transformed into untouched nature, invaded by cold, heat, rain, wind, muffled rumblings and the scents of plains and deserts. Eric Arnal-Burtshy invites us to reflect on what it would be like to be a tree, a rock or a mountain, to feel the passage of centuries and seasons. What if we were to leave our shells, our technological crutches, our aseptic lives at the door, and instead enter into a porous relationship with nature? What if we stopped thinking of nature as an ornament or a resource, but rather as a whole of which we are a part?
DESIGN, CREATION: Eric Arnal-Burtschy
SOUND CREATION CONSULTANCY: in progress
ODEURS CREATION: URCOM - Unité de recherche en chimie organique et macromoléculaire, CNRS, Université Le Havre Normandie
TECHNICAL DIRECTION: Raphaël Noël
PRODUCTION ET DIFFUSION: Zoé Siemen
PRODUCTION : DRAC Hauts-de-France; Région Hauts-de-France; Théâtre de Liège; Le 9-9 bis; De Grote Post, Oostende; workspacebrussels; Le Volcan, Scène nationale du Havre; CCN de Grenoble; Festival Chroniques, Marseille; La Croisée, Rencontres professionnelles du spectacle vivant en Hauts-de-France; Centre Wallonie Bruxelles, Paris; La Ménagerie de verre; L'Oiseau Mouche, Roubaix; Le Gymnase, Centre de développement chorégraphique national; Le BAMP, Bruxelles
In residence at CCN
September 30 to October 11
premiered November 13, 2024 at Théâtre de Liège, belgium
DESIGN, CREATION: Eric Arnal-Burtschy
SOUND CREATION CONSULTANCY: in progress
ODEURS CREATION: URCOM - Unité de recherche en chimie organique et macromoléculaire, CNRS, Université Le Havre Normandie
TECHNICAL DIRECTION: Raphaël Noël
PRODUCTION ET DIFFUSION: Zoé Siemen
PRODUCTION : DRAC Hauts-de-France; Région Hauts-de-France; Théâtre de Liège; Le 9-9 bis; De Grote Post, Oostende; workspacebrussels; Le Volcan, Scène nationale du Havre; CCN de Grenoble; Festival Chroniques, Marseille; La Croisée, Rencontres professionnelles du spectacle vivant en Hauts-de-France; Centre Wallonie Bruxelles, Paris; La Ménagerie de verre; L'Oiseau Mouche, Roubaix; Le Gymnase, Centre de développement chorégraphique national; Le BAMP, Bruxelles
In residence at CCN
September 30 to October 11
premiered November 13, 2024 at Théâtre de Liège, belgium
Eric Arnal-Burtschy studied history, philosophy and geopolitics and obtained a Master's degree in European Studies before turning to the performing and visual arts. His work, often driven by research into the physics of the Universe and a questioning of the human being, is presented in numerous venues in Europe and abroad. With Lyllie Rouvière, he created Bouncing Universe in a Bulk, a diptych about the Universe and infinity, and Ciguë, a solo with Clara Furey about freedom and solitude. His latest creation, Deep are the Woods, is an evocation of the void in the form of an immersive piece in which light is the performer. Keen to explore a different kind of relationship with the world, and always interested in diplomatic and strategic issues, he is also a reserve officer in the French army, and took part in Operation Barkhane in the Sahel. This experience led to the creation of his latest show, Why We Fight, a performance that sensitively and politically questions what makes each of us tick and why we fight. He was awarded the prestigious Prix de la Vocation by the Marcel Bleustein-Blanchet Foundation. Associate artist at Halles de Schaerbeek, Brussels Artist in residence at WorkSpaceBrussels Artist in residence at Théâtre de Vanves.
DESIGN, CREATION: Eric Arnal-Burtschy
SOUND CREATION CONSULTANCY: in progress
ODEURS CREATION: URCOM - Unité de recherche en chimie organique et macromoléculaire, CNRS, Université Le Havre Normandie
TECHNICAL DIRECTION: Raphaël Noël
PRODUCTION ET DIFFUSION: Zoé Siemen
PRODUCTION : DRAC Hauts-de-France; Région Hauts-de-France; Théâtre de Liège; Le 9-9 bis; De Grote Post, Oostende; workspacebrussels; Le Volcan, Scène nationale du Havre; CCN de Grenoble; Festival Chroniques, Marseille; La Croisée, Rencontres professionnelles du spectacle vivant en Hauts-de-France; Centre Wallonie Bruxelles, Paris; La Ménagerie de verre; L'Oiseau Mouche, Roubaix; Le Gymnase, Centre de développement chorégraphique national; Le BAMP, Bruxelles
RESIDENCY AT CCN GRENOBLE
JUNE 29-30, 2024
DECEMBER 21-22, 2024
WITH THE ARTISTS: Ruth Childs, Katerina Andreou, Bryan Campbell, Luara Raio
SUPPORT: CCN de Grenoble, Pavillon/ADC, in progress
RESIDENCY AT CCN GRENOBLE
FROM JANUARY 2024 TO DECEMBER 2025
JUNE 29-30, 2024
DECEMBER 21-22, 2024
On arriving for her residency in the CCN Grenoble studio, facing the mountains, Ruth Childs found herself thinking about the artists who had passed through this place before her and would do so after her. She knew some of them very well, others a little less, by name or by sight, others not at all. She was struck by the lack of connection between them. She wanted to leave a note of encouragement, a surprise, check in, ask a question about something she'd picked up from their work. But due to lack of time, caught up in her own work, her thoughts simply materialized in the form of "likes" via social networks, a Facebook or Instagram page.
To combat this lack of exchange, symptomatic of the current era, she drew inspiration from the free, intimate, handwritten correspondences of Judson Church members (Steve Paxton, Yvonne Rainer, Lucinda Childs...) to imagine a space-time for correspondence with a small group of artists. A space-time to exchange ideas, ask questions, get lost together, have fun, tell each other details of their artistic questionings and troubles. These exchanges can be short and spontaneous (like a postcard) or more polished (like a letter), but will preferably be handwritten and sent by post.
The primary aim of this project is to open up and share the experience of a genuine long-term exchange. In a second phase, and in agreement with the group, we could consider publishing some or all of the correspondence produced in 2026.
As part ofIMPACT FESTIVAL 2024, Delicate People is a project initiated by Ruth Childs and Cécile Bouffard to combine their respective practices of dance and sculpture. Delicate People is a series of vignettes dealing with figures and motifs of troubling identities and adjusted gestures.
Ruth Childs delves into the intimate layers of her physical and emotional memories, triggered by the great classical music tunes, from Beethoven to Tchaikovsky or Dvorak, that she listened to as a child. Programmed at the IMPACT FESTIVAL 2023.
Ruth Childs proposes to make accessible the hyper-presence of a body in performance, the present moment, as well as the collective aspect of preparing for a performance and experiencing this ephemeral moment. Through the body and its use in movement, participants will share a collective yet intimate experience that connects them to their own creativity. Guided by the choreographer, they will draw on an unusual repertoire to nourish their imaginations. In this way, grimace, color and melody will become choreographic tools that will lead them to create performances in natural spaces. Information by e-mail: helene.azzaro@ccn-grenoble.com
For several years now, Ruth Childs has been working on a project to re-create the early works of her aunt, Lucinda Childs, an emblematic figure of American postmodern dance and the minimalist movement. On December 13, 2023, she worked with students in the specialized dance cycle at the Grenoble Conservatory, inviting them to work on this choreographic vocabulary: simple gestures, a taste for repetition and variation, devices that play on trajectories. On March 6, 2024, she will once again be working with Grenoble Conservatory dance students, this time exploring the choreographic material of her last two pieces, Fantasia and Blast!