ASSOCIATE ARTISTS
RUTH CHILDS
Dancer and choreographer

Residency at CCN Grenoble

APRIL 18-25, 2023 DECEMBER 11-22, 2023 MARCH 4-13, 2024 JULY 1-12, 2024

Creation from October 30th to November 3, 2024

CHOREOGRAPHY IN COLLABORATION WITH THE DANCERS.S: Ruth Childs
DANCE/PERFORMANCE: Bryan Campbell, Ruth Childs, Karine Dahouindji, Cosima Grand, Ha Kyoon Larcher
SOUND RESEARCH/CREATION: Stéphane Vecchione
LIGHT CREATION: Joana Oliveira
COSTUMES: Tara Mabiala
SCENOGRAPHY: Mélissa Rouvinet
EXTERNAL EYE: Madeleine Fournier
VOCAL COACHING: Bertille Puissat

PRODUCTION: Scarlett's
TECHNICAL DIRECTION: Joana Oliveira
PRODUCTION DÉLÉGUÉE, ADMINISTRATION, DIFFUSION: Tutu production - Lise Leclerc et Cécilia Lubrano
COPRODUCTIONS: Pavillon-ADC Genève, Arsenic-Centre d'art scénique contemporain Lausanne, Atelier de Paris/CDCN, CCN2 Grenoble, center chorégraphique national de Caen en Normandie dans le cadre du dispositif Accueil-studio/ministère de la Culture, DR by Van Cleef & Arpels

RESIDENCIES: Montpellier Danse as part of the residency at Agora, cité internationale de la danse, with the support of the BNP Paribas Foundation.
Ruth Childs is an associate artist of the CCN DE GRENOBLE, as part of the program supported by the French Ministry of Culture and Communication (2023-2024).
The Scarlett's/Ruth Childs company is a beneficiary of the joint support agreement between the City of Geneva/Canton of Geneva/Pro Helvetia (2024-2026).

PHOTO : © Marie Magnin
© Michelle Ettlin

Residency at CCN Grenoble

APRIL 18-25, 2023 DECEMBER 11-22, 2023 MARCH 4-13, 2024 JULY 1-12, 2024

Creation from October 30th to November 3, 2024

British-American dancer and choreographer Ruth Childs was born in 1984 in London. She grew up in the United States where she studied dance and music. In 2003 she moved to Geneva to finish her dance training with the Ballet Junior de Genève. Following this, she started working with many choreographers and directors including Foofwa d’Imobilité, La Ribot, Gilles Jobin, Massimo Furlan, Marco Berrettini and Yasmine Hugonnet. Since 2015, she is also working on a re-creation and revival project of the early works of her aunt, the American choreographer Lucinda Childs.

In 2014 she founded her company Scarlett’s to develop her own work through dance, performance, and music. Scarlett’s favors intimate and collaborative artistic processes, cultivating intuition and the indefinable. In 2016 the state of Geneva awarded her a scholarship and research residency in Berlin of 6 months to develop her own work.

Her first stage piece in collaboration with Stéphane Vecchione, The Goldfish and the Inner Tube, premiered in April 2018. She then creates fantasia, her first solo at the ADC, Geneva in October 2019. Then in 2021 she receives a scholarship from the Centre culturel suisse.Paris and La Becque (La Tour-de-Peilz, Switzerland) to collaborate with Cécile Bouffard on a research project called Delicate People. In 2022 she creates her second solo Blast! at the Pavillon ADC during the Bâtie festival in Geneva.

Ruth is currently one of the artists in residence at Arsenic in Lausanne and the associated artist at CCN2-Centre chorégraphique national de Grenoble (2023-2024.)

RUTH CHILDS
FUN TIMES

CHOREOGRAPHY IN COLLABORATION WITH THE DANCERS.S: Ruth Childs
DANCE/PERFORMANCE: Bryan Campbell, Ruth Childs, Karine Dahouindji, Cosima Grand, Ha Kyoon Larcher
SOUND RESEARCH/CREATION: Stéphane Vecchione
LIGHT CREATION: Joana Oliveira
COSTUMES: Tara Mabiala
SCENOGRAPHY: Mélissa Rouvinet
EXTERNAL EYE: Madeleine Fournier
VOCAL COACHING: Bertille Puissat

PRODUCTION: Scarlett's
TECHNICAL DIRECTION: Joana Oliveira
PRODUCTION DÉLÉGUÉE, ADMINISTRATION, DIFFUSION: Tutu production - Lise Leclerc et Cécilia Lubrano
COPRODUCTIONS: Pavillon-ADC Genève, Arsenic-Centre d'art scénique contemporain Lausanne, Atelier de Paris/CDCN, CCN2 Grenoble, center chorégraphique national de Caen en Normandie dans le cadre du dispositif Accueil-studio/ministère de la Culture, DR by Van Cleef & Arpels

RESIDENCIES: Montpellier Danse as part of the residency at Agora, cité internationale de la danse, with the support of the BNP Paribas Foundation.
Ruth Childs is an associate artist of the CCN DE GRENOBLE, as part of the program supported by the French Ministry of Culture and Communication (2023-2024).
The Scarlett's/Ruth Childs company is a beneficiary of the joint support agreement between the City of Geneva/Canton of Geneva/Pro Helvetia (2024-2026).

PHOTO : © Marie Magnin
© Michelle Ettlin

SUPPORT CREATION 2023-24

Residency at CCN Grenoble

APRIL 18-25, 2023 DECEMBER 11-22, 2023 MARCH 4-13, 2024 JULY 1-12, 2024

Creation from October 30th to November 3, 2024

CHOREOGRAPHY IN COLLABORATION WITH THE DANCERS.S: Ruth Childs
DANCE/PERFORMANCE: Bryan Campbell, Ruth Childs, Karine Dahouindji, Cosima Grand, Ha Kyoon Larcher
SOUND RESEARCH/CREATION: Stéphane Vecchione
LIGHT CREATION: Joana Oliveira
COSTUMES: Tara Mabiala
SCENOGRAPHY: Mélissa Rouvinet
EXTERNAL EYE: Madeleine Fournier
VOCAL COACHING: Bertille Puissat

PRODUCTION: Scarlett's
TECHNICAL DIRECTION: Joana Oliveira
PRODUCTION DÉLÉGUÉE, ADMINISTRATION, DIFFUSION: Tutu production - Lise Leclerc et Cécilia Lubrano
COPRODUCTIONS: Pavillon-ADC Genève, Arsenic-Centre d'art scénique contemporain Lausanne, Atelier de Paris/CDCN, CCN2 Grenoble, center chorégraphique national de Caen en Normandie dans le cadre du dispositif Accueil-studio/ministère de la Culture, DR by Van Cleef & Arpels

RESIDENCIES: Montpellier Danse as part of the residency at Agora, cité internationale de la danse, with the support of the BNP Paribas Foundation.
Ruth Childs is an associate artist of the CCN DE GRENOBLE, as part of the program supported by the French Ministry of Culture and Communication (2023-2024).
The Scarlett's/Ruth Childs company is a beneficiary of the joint support agreement between the City of Geneva/Canton of Geneva/Pro Helvetia (2024-2026).

PHOTO : © Marie Magnin
© Michelle Ettlin

Residency at CCN Grenoble

APRIL 18-25, 2023 DECEMBER 11-22, 2023 MARCH 4-13, 2024 JULY 1-12, 2024

Creation from October 30th to November 3, 2024

Ruth Childs' first group piece, Fun Times is a tragicomic dance for five dancers. For this new work, she takes her inspiration from the rather primitive, even naïve act of having fun together, of being amused together, or even of laughing together. In keeping with her previous research, the choreographer wishes to experiment with the voice, the musicality of laughter and tears, in a playful relationship to the performative space.

" This work follows in the footsteps of my research into the deconstruction of the musical body (fantasia) and the expressive body (Blast!). This time, particular attention is paid to the voice - the abstract voice of wordless singing, but also the voice of laughter or crying. The notion of the "musical body" allows me to reflect as much on the ways in which a body reacts to music, as on the ways in which the body itself produces music. In fantasia, for example, the sound device enabled a dialogue with music that was broadcast, but activated by myself. Now I'd like to make greater use of the voice, to make the dialogue with external sound materials more complex. Our voices would then become both sound and musical sources, and at the same time, generators of other external sound materials. In Blast! I used expressions and grimaces to generate movement. Here, I'd like to work on choreographic writing based on expressive behaviors such as laughing or crying, and their interactionist emergences." Ruth Childs

CORRESPON-
DANCES

CHOREOGRAPHY IN COLLABORATION WITH THE DANCERS.S: Ruth Childs
DANCE/PERFORMANCE: Bryan Campbell, Ruth Childs, Karine Dahouindji, Cosima Grand, Ha Kyoon Larcher
SOUND RESEARCH/CREATION: Stéphane Vecchione
LIGHT CREATION: Joana Oliveira
COSTUMES: Tara Mabiala
SCENOGRAPHY: Mélissa Rouvinet
EXTERNAL EYE: Madeleine Fournier
VOCAL COACHING: Bertille Puissat

PRODUCTION: Scarlett's
TECHNICAL DIRECTION: Joana Oliveira
PRODUCTION DÉLÉGUÉE, ADMINISTRATION, DIFFUSION: Tutu production - Lise Leclerc et Cécilia Lubrano
COPRODUCTIONS: Pavillon-ADC Genève, Arsenic-Centre d'art scénique contemporain Lausanne, Atelier de Paris/CDCN, CCN2 Grenoble, center chorégraphique national de Caen en Normandie dans le cadre du dispositif Accueil-studio/ministère de la Culture, DR by Van Cleef & Arpels

RESIDENCIES: Montpellier Danse as part of the residency at Agora, cité internationale de la danse, with the support of the BNP Paribas Foundation.
Ruth Childs is an associate artist of the CCN DE GRENOBLE, as part of the program supported by the French Ministry of Culture and Communication (2023-2024).
The Scarlett's/Ruth Childs company is a beneficiary of the joint support agreement between the City of Geneva/Canton of Geneva/Pro Helvetia (2024-2026).

PHOTO : © Marie Magnin
© Michelle Ettlin

between artists

RESIDENCY AT CCN GRENOBLE

JUNE 29-30, 2024
DECEMBER 21-22, 2024

WITH THE ARTISTS: Ruth Childs, Katerina Andreou, Bryan Campbell, Luara Raio
SUPPORT: CCN de Grenoble, Pavillon/ADC, in progress

RESIDENCY AT CCN GRENOBLE

FROM JANUARY 2024 TO DECEMBER 2025

JUNE 29-30, 2024
DECEMBER 21-22, 2024

On arriving for her residency in the CCN Grenoble studio, facing the mountains, Ruth Childs found herself thinking about the artists who had passed through this place before her and would do so after her. She knew some of them very well, others a little less, by name or by sight, others not at all. She was struck by the lack of connection between them. She wanted to leave a note of encouragement, a surprise, check in, ask a question about something she'd picked up from their work. But due to lack of time, caught up in her own work, her thoughts simply materialized in the form of "likes" via social networks, a Facebook or Instagram page.

To combat this lack of exchange, symptomatic of the current era, she drew inspiration from the free, intimate, handwritten correspondences of Judson Church members (Steve Paxton, Yvonne Rainer, Lucinda Childs...) to imagine a space-time for correspondence with a small group of artists. A space-time to exchange ideas, ask questions, get lost together, have fun, tell each other details of their artistic questionings and troubles. These exchanges can be short and spontaneous (like a postcard) or more polished (like a letter), but will preferably be handwritten and sent by post.

The primary aim of this project is to open up and share the experience of a genuine long-term exchange. In a second phase, and in agreement with the group, we could consider publishing some or all of the correspondence produced in 2026.

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