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Mercedes Dassy
SPONGEBABE IN L.A. (4 LOVE & ANXIETY)

In residence at CCN Grenoble

April 1 to 5, 2024

Creation October 11 and 12, 2024 Charleroi Danse, Les Ecuries

CONCEPT, CHOREOGRAPHY, WRITING AND INTERPRETATION: Mercedes Dassy
DRAMAATURGY: Hanna El Fakir
MUSICAL PRODUCTION AND SOUND CREATION: Maxime Pichon
COSTUME, ACCESSORIES AND SCENOGRAPHY: Flavie Torsiello
LIGHT CREATION: Vera Martins
EXTERNAL REGARDS: Sabine Cmelmiski, Svétäl-Anand Chassol, Alphonse Eklou
RESEARCH DJ SET: Yasmina Tayoub
ASSISTANCY: Fanny Brulé Kopp
STAGIAIRES: Morgane Brien-Hamdane, Géraldine Tatard, Angelica Ardiot
PRODUCTION AND DISTRIBUTION: ama brussels, Babacar Ba, France Morin, Clara Schmitt

PRODUCTION: ama brussels
COPRODUCTION: Charleroi danse, les Halles de Schaerbeek, CCN d'Orléans, CCN de Grenoble, les SUBS
HOME IN RESIDENCE: Charleroi danse, le Théâtre Varia, les SUBS, CCN d'Orléans, CCN de Grenoble, Théâtre National Wallonie-Bruxelles, Centre national de la Danse, Lafayette Anticipations

SUPPORT: Fédération Wallonie-Bruxelles- Service de la Création artistique, Wallonie-Bruxelles International, SACD
Mercedes Dassy is associate artist at Charleroi danse from 2023 to 2025.

In residence at CCN Grenoble

April 1 to 5, 2024

Creation October 11 and 12, 2024 Charleroi Danse, Les Ecuries

SPONGEBABE IN L.A. (4 LOVE & ANXIETY) is the new solo choreographic work by and performed by Mercedes Dassy.

In it, she stages the musical and choreographic performance of SpongeBabe - a fictional double - as she rehearses the show from her new album before its grand premiere. We share with her her last night underground before her big return to the surface.

In between rehearsals, SpongeBabe shares a more intimate, elliptical narrative, a kind of behind-the-scenes or voice-over, in movement and words, in which she confides her experiences and reflections on brokenness, vulnerability, gentleness and rebirth.

Mercedes Dassy (1990, Brussels) is a dancer and choreographer active in the fields of dance, performance, film, theater and video. In 2009, she joined S.E.A.D. Salzburg Experimental Academy of Dance and completed a Summer Program at the Tisch School of Art/Dance Department - New York University. Back in Brussels since 2012, she has worked with Voetvolk/Lisbeth Gruwez, Compagnie3637, Cie P H O S / P HO R, MUGWUMP, Notch company/Oriane Varak Leslie Mannès/Thomas Thurine/Vincent Lemaître, Lafayette Anticipations, Bertrand Mandico, Delphine Girard, Erwan LeDuc, and others.

Since 2015, Mercedes Dassy has also been creating her own work with Pause (2015), i - c l i t (2018), TWYXX, in collaboration with actor Tom Adjibi (2019), B4 summer (2020), Deepstaria bienvenue, a commission from L'Opéra de Lyon for dancer Maeva Lassère (2020) and Pamela Chapitre 6765, a performance for the 2020 edition of Marseille's Actoral festival, and RUUPTUUR (2022) a piece for 4 dancers.

In July 2018, Mercedes Dassy was awarded the Jo Dekmine prize for promising creations and artists by the Théâtre des Doms. In November 2021, she received the jury prize in the Podium choreography competition in the "solo/duo" category, with her piece B4 summer.

Mercedes Dassy

CONCEPT, CHOREOGRAPHY, WRITING AND INTERPRETATION: Mercedes Dassy
DRAMAATURGY: Hanna El Fakir
MUSICAL PRODUCTION AND SOUND CREATION: Maxime Pichon
COSTUME, ACCESSORIES AND SCENOGRAPHY: Flavie Torsiello
LIGHT CREATION: Vera Martins
EXTERNAL REGARDS: Sabine Cmelmiski, Svétäl-Anand Chassol, Alphonse Eklou
RESEARCH DJ SET: Yasmina Tayoub
ASSISTANCY: Fanny Brulé Kopp
STAGIAIRES: Morgane Brien-Hamdane, Géraldine Tatard, Angelica Ardiot
PRODUCTION AND DISTRIBUTION: ama brussels, Babacar Ba, France Morin, Clara Schmitt

PRODUCTION: ama brussels
COPRODUCTION: Charleroi danse, les Halles de Schaerbeek, CCN d'Orléans, CCN de Grenoble, les SUBS
HOME IN RESIDENCE: Charleroi danse, le Théâtre Varia, les SUBS, CCN d'Orléans, CCN de Grenoble, Théâtre National Wallonie-Bruxelles, Centre national de la Danse, Lafayette Anticipations

SUPPORT: Fédération Wallonie-Bruxelles- Service de la Création artistique, Wallonie-Bruxelles International, SACD
Mercedes Dassy is associate artist at Charleroi danse from 2023 to 2025.

In residence at CCN Grenoble

April 1 to 5, 2024

Creation October 11 and 12, 2024 Charleroi Danse, Les Ecuries

CONCEPT, CHOREOGRAPHY, WRITING AND INTERPRETATION: Mercedes Dassy
DRAMAATURGY: Hanna El Fakir
MUSICAL PRODUCTION AND SOUND CREATION: Maxime Pichon
COSTUME, ACCESSORIES AND SCENOGRAPHY: Flavie Torsiello
LIGHT CREATION: Vera Martins
EXTERNAL REGARDS: Sabine Cmelmiski, Svétäl-Anand Chassol, Alphonse Eklou
RESEARCH DJ SET: Yasmina Tayoub
ASSISTANCY: Fanny Brulé Kopp
STAGIAIRES: Morgane Brien-Hamdane, Géraldine Tatard, Angelica Ardiot
PRODUCTION AND DISTRIBUTION: ama brussels, Babacar Ba, France Morin, Clara Schmitt

PRODUCTION: ama brussels
COPRODUCTION: Charleroi danse, les Halles de Schaerbeek, CCN d'Orléans, CCN de Grenoble, les SUBS
HOME IN RESIDENCE: Charleroi danse, le Théâtre Varia, les SUBS, CCN d'Orléans, CCN de Grenoble, Théâtre National Wallonie-Bruxelles, Centre national de la Danse, Lafayette Anticipations

SUPPORT: Fédération Wallonie-Bruxelles- Service de la Création artistique, Wallonie-Bruxelles International, SACD
Mercedes Dassy is associate artist at Charleroi danse from 2023 to 2025.

In residence at CCN Grenoble

April 1 to 5, 2024

Creation October 11 and 12, 2024 Charleroi Danse, Les Ecuries

CORRESPON-
DANCES

CONCEPT, CHOREOGRAPHY, WRITING AND INTERPRETATION: Mercedes Dassy
DRAMAATURGY: Hanna El Fakir
MUSICAL PRODUCTION AND SOUND CREATION: Maxime Pichon
COSTUME, ACCESSORIES AND SCENOGRAPHY: Flavie Torsiello
LIGHT CREATION: Vera Martins
EXTERNAL REGARDS: Sabine Cmelmiski, Svétäl-Anand Chassol, Alphonse Eklou
RESEARCH DJ SET: Yasmina Tayoub
ASSISTANCY: Fanny Brulé Kopp
STAGIAIRES: Morgane Brien-Hamdane, Géraldine Tatard, Angelica Ardiot
PRODUCTION AND DISTRIBUTION: ama brussels, Babacar Ba, France Morin, Clara Schmitt

PRODUCTION: ama brussels
COPRODUCTION: Charleroi danse, les Halles de Schaerbeek, CCN d'Orléans, CCN de Grenoble, les SUBS
HOME IN RESIDENCE: Charleroi danse, le Théâtre Varia, les SUBS, CCN d'Orléans, CCN de Grenoble, Théâtre National Wallonie-Bruxelles, Centre national de la Danse, Lafayette Anticipations

SUPPORT: Fédération Wallonie-Bruxelles- Service de la Création artistique, Wallonie-Bruxelles International, SACD
Mercedes Dassy is associate artist at Charleroi danse from 2023 to 2025.

between artists

RESIDENCY AT CCN GRENOBLE

JUNE 29-30, 2024
DECEMBER 21-22, 2024

WITH THE ARTISTS: Ruth Childs, Katerina Andreou, Bryan Campbell, Luara Raio
SUPPORT: CCN de Grenoble, Pavillon/ADC, in progress

RESIDENCY AT CCN GRENOBLE

FROM JANUARY 2024 TO DECEMBER 2025

JUNE 29-30, 2024
DECEMBER 21-22, 2024

On arriving for her residency in the CCN Grenoble studio, facing the mountains, Ruth Childs found herself thinking about the artists who had passed through this place before her and would do so after her. She knew some of them very well, others a little less, by name or by sight, others not at all. She was struck by the lack of connection between them. She wanted to leave a note of encouragement, a surprise, check in, ask a question about something she'd picked up from their work. But due to lack of time, caught up in her own work, her thoughts simply materialized in the form of "likes" via social networks, a Facebook or Instagram page.

To combat this lack of exchange, symptomatic of the current era, she drew inspiration from the free, intimate, handwritten correspondences of Judson Church members (Steve Paxton, Yvonne Rainer, Lucinda Childs...) to imagine a space-time for correspondence with a small group of artists. A space-time to exchange ideas, ask questions, get lost together, have fun, tell each other details of their artistic questionings and troubles. These exchanges can be short and spontaneous (like a postcard) or more polished (like a letter), but will preferably be handwritten and sent by post.

The primary aim of this project is to open up and share the experience of a genuine long-term exchange. In a second phase, and in agreement with the group, we could consider publishing some or all of the correspondence produced in 2026.

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