In residence at CCN Grenoble
April 1 to 5, 2024
Creation October 11 and 12, 2024 Charleroi Danse, Les Ecuries
Concept, choreography, writing and performance: Mercedes Dassy
Dramaturgy: Hanna El Fakir
Musical production and sound design: Maxime Pichon
Costume, props and set design: Flavie Torsiello
Lighting design: Vera Martins
Outsiders: Sabine Cmelmiski, Svétäl-Anand Chassol, Alphonse Eklou
Research DJ set: Yasmina Tayoub
Assistant: Fanny Brulé Kopp
Trainees: Morgane Brien-Hamdane, Géraldine Tatard, Angelica Ardiot
Production and distribution: ama brussels, Babacar Ba, France Morin, Clara Schmitt
Production: ama brussels
Coproduction: Charleroi danse, les Halles de Schaerbeek, CCN d'Orléans, CCN de Grenoble, les SUBS
Home in residence: Charleroi danse, Théâtre Varia, les SUBS, CCN d'Orléans, CCN de Grenoble, Théâtre NationalWallonie-Bruxelles, Centre national de la Danse, Lafayette Anticipations.
Support: Fédération Wallonie-Bruxelles- Service de la Création artistique, Wallonie-Bruxelles International, SACD
Mercedes Dassy is associate artist at Charleroi Danse from 2023 to 2025.
In residence at CCN Grenoble
April 1 to 5, 2024
Creation October 11 and 12, 2024 Charleroi Danse, Les Ecuries
SPONGEBABE IN L.A. (4 LOVE & ANXIETY) is the new solo choreographic work by and performed by Mercedes Dassy.
In it, she stages the musical and choreographic performance of SpongeBabe - a fictional double - as she rehearses the show from her new album before its grand premiere. We share with her her last night underground before her big return to the surface.
In between rehearsals, SpongeBabe shares a more intimate, elliptical narrative, a kind of behind-the-scenes or voice-over, in movement and words, in which she confides her experiences and reflections on brokenness, vulnerability, gentleness and rebirth.
Mercedes Dassy (1990, Brussels) is a dancer and choreographer active in the fields of dance, performance, film, theater and video. In 2009, she joined S.E.A.D. Salzburg Experimental Academy of Dance and completed a Summer Program at the Tisch School of Art/Dance Department - New York University. Back in Brussels since 2012, she has worked with Voetvolk/Lisbeth Gruwez, Compagnie3637, Cie P H O S / P HO R, MUGWUMP, Notch company/Oriane Varak Leslie Mannès/Thomas Thurine/Vincent Lemaître, Lafayette Anticipations, Bertrand Mandico, Delphine Girard, Erwan LeDuc, and others.
Since 2015, Mercedes Dassy has also been creating her own work with Pause (2015), i - c l i t (2018), TWYXX, in collaboration with actor Tom Adjibi (2019), B4 summer (2020), Deepstaria bienvenue, a commission from L'Opéra de Lyon for dancer Maeva Lassère (2020) and Pamela Chapitre 6765, a performance for the 2020 edition of Marseille's Actoral festival, and RUUPTUUR (2022) a piece for 4 dancers.
In July 2018, Mercedes Dassy was awarded the Jo Dekmine prize for promising creations and artists by the Théâtre des Doms. In November 2021, she received the jury prize in the Podium choreography competition in the "solo/duo" category, with her piece B4 summer.
Concept, choreography, writing and performance: Mercedes Dassy
Dramaturgy: Hanna El Fakir
Musical production and sound design: Maxime Pichon
Costume, props and set design: Flavie Torsiello
Lighting design: Vera Martins
Outsiders: Sabine Cmelmiski, Svétäl-Anand Chassol, Alphonse Eklou
Research DJ set: Yasmina Tayoub
Assistant: Fanny Brulé Kopp
Trainees: Morgane Brien-Hamdane, Géraldine Tatard, Angelica Ardiot
Production and distribution: ama brussels, Babacar Ba, France Morin, Clara Schmitt
Production: ama brussels
Coproduction: Charleroi danse, les Halles de Schaerbeek, CCN d'Orléans, CCN de Grenoble, les SUBS
Home in residence: Charleroi danse, Théâtre Varia, les SUBS, CCN d'Orléans, CCN de Grenoble, Théâtre NationalWallonie-Bruxelles, Centre national de la Danse, Lafayette Anticipations.
Support: Fédération Wallonie-Bruxelles- Service de la Création artistique, Wallonie-Bruxelles International, SACD
Mercedes Dassy is associate artist at Charleroi Danse from 2023 to 2025.
In residence at CCN Grenoble
April 1 to 5, 2024
Creation October 11 and 12, 2024 Charleroi Danse, Les Ecuries
Concept, choreography, writing and performance: Mercedes Dassy
Dramaturgy: Hanna El Fakir
Musical production and sound design: Maxime Pichon
Costume, props and set design: Flavie Torsiello
Lighting design: Vera Martins
Outsiders: Sabine Cmelmiski, Svétäl-Anand Chassol, Alphonse Eklou
Research DJ set: Yasmina Tayoub
Assistant: Fanny Brulé Kopp
Trainees: Morgane Brien-Hamdane, Géraldine Tatard, Angelica Ardiot
Production and distribution: ama brussels, Babacar Ba, France Morin, Clara Schmitt
Production: ama brussels
Coproduction: Charleroi danse, les Halles de Schaerbeek, CCN d'Orléans, CCN de Grenoble, les SUBS
Home in residence: Charleroi danse, Théâtre Varia, les SUBS, CCN d'Orléans, CCN de Grenoble, Théâtre NationalWallonie-Bruxelles, Centre national de la Danse, Lafayette Anticipations.
Support: Fédération Wallonie-Bruxelles- Service de la Création artistique, Wallonie-Bruxelles International, SACD
Mercedes Dassy is associate artist at Charleroi Danse from 2023 to 2025.
In residence at CCN Grenoble
April 1 to 5, 2024
Creation October 11 and 12, 2024 Charleroi Danse, Les Ecuries
Delicate People is a project initiated by Ruth Childs and Cécile Bouffard to combine their respective practices of dance and sculpture. Delicate People is a series of vignettes dealing with figures and motifs of troubling identities and adjusted gestures.
Ruth Childs delves into the intimate layers of her physical and emotional memories, triggered by the great classical music tunes, from Beethoven to Tchaikovsky or Dvorak, that she listened to as a child. Programmed at the IMPACT FESTIVAL 2023.
Ruth Childs proposes to make accessible the hyper-presence of a body in performance, the present moment, as well as the collective aspect of preparing for a performance and experiencing this ephemeral moment. Through the body and its use in movement, participants will share a collective yet intimate experience to connect with their own creativity. Guided by the choreographer, they will draw on an unusual repertoire to nourish their imaginations. In this way, grimace, color and melody will become choreographic tools that will lead them to create performances in natural spaces. For further information: helene.azzaro@ccn-grenoble.com
For several years now, Ruth Childs has been working on a project to re-create the early works of her aunt, Lucinda Childs, an emblematic figure of American postmodern dance and the minimalist movement. On December 13, 2023, she worked with students in the specialized dance cycle at the Grenoble Conservatory, inviting them to work on this choreographic vocabulary: simple gestures, a taste for repetition and variation, devices that play on trajectories. On March 6, 2024, she will once again be working with Grenoble Conservatory dance students, this time exploring the choreographic material of her last two pieces, Fantasia and Blast!