
RÉSIDENCE AU CCN
DU 29 JANVIER AU 9 FÉVRIER 2024
PREMIÈRE ET SORTIE DU LIVRE À L'AUTOMNE 2025
CONCEPT, WRITING & PERFORMANCE: Pauline L. Boulba
ARTISTIC COLLABORATORS: Morgane Brien-Hamdane, Aminata Labor, Sandar Tun Tun, a choir (cast to be announced)
PRODUCTION AND MANAGEMENT: OKAY CONFIANCE
EDITORIAL SUPPORT: Maison Trouble / Barbara Coffy
PARTNERS: ICI / CCN de Montpellier, Centre chorégraphique national de Grenoble as part of the studio residency program, CDCN Le Pacifique
SUPPORT: La Métive, Le Pli (Bordeaux)
Pauline L. Boulba, Mila Ercoli
RÉSIDENCE AU CCN
DU 29 JANVIER AU 9 FÉVRIER 2024
PREMIÈRE ET SORTIE DU LIVRE À L'AUTOMNE 2025
MILLE SHAKE englobe l’écriture d’un roman et celle d’une pièce chorégraphique. D’un côté l’écriture d’une auto fiction qui croise archives queer et archives personnelles autour du corps et des violences patriarcales. De l’autre, la mise en place d’un espace performatif pour raconter et prolonger au plateau des extraits du livre en train de s’écrire.
Pauline L. Boulba est performeuse et chercheuse en danse. Son travail porte sur l’analyse d’œuvres, les pratiques queer & féministes et la place des affects en danse. Elle a crée plusieurs pièces depuis 2015, le cycle La langue brisée ; As Buffard As Possible ; Ôno Sensation. Depuis 2020, elle engage un travail protéiforme autour de Jill Johnston (1929-2010) critique, performeuse et lesbienne radicale états-unienne. J.J. est le nom de cette vaste enquête qui prend la forme d’une performance, d’un livre et d’un film crées entre 2022 et 2024. Elle accompagne souvent des artistes en tant que dramaturge et des étudiant·e·s en tant que pédagogue.
CONCEPT, WRITING & PERFORMANCE: Pauline L. Boulba
ARTISTIC COLLABORATORS: Morgane Brien-Hamdane, Aminata Labor, Sandar Tun Tun, a choir (cast to be announced)
PRODUCTION AND MANAGEMENT: OKAY CONFIANCE
EDITORIAL SUPPORT: Maison Trouble / Barbara Coffy
PARTNERS: ICI / CCN de Montpellier, Centre chorégraphique national de Grenoble as part of the studio residency program, CDCN Le Pacifique
SUPPORT: La Métive, Le Pli (Bordeaux)
Pauline L. Boulba, Mila Ercoli

RÉSIDENCE AU CCN
DU 29 JANVIER AU 9 FÉVRIER 2024
PREMIÈRE ET SORTIE DU LIVRE À L'AUTOMNE 2025
CONCEPT, WRITING & PERFORMANCE: Pauline L. Boulba
ARTISTIC COLLABORATORS: Morgane Brien-Hamdane, Aminata Labor, Sandar Tun Tun, a choir (cast to be announced)
PRODUCTION AND MANAGEMENT: OKAY CONFIANCE
EDITORIAL SUPPORT: Maison Trouble / Barbara Coffy
PARTNERS: ICI / CCN de Montpellier, Centre chorégraphique national de Grenoble as part of the studio residency program, CDCN Le Pacifique
SUPPORT: La Métive, Le Pli (Bordeaux)
Pauline L. Boulba, Mila Ercoli
RÉSIDENCE AU CCN
DU 29 JANVIER AU 9 FÉVRIER 2024
PREMIÈRE ET SORTIE DU LIVRE À L'AUTOMNE 2025
CONCEPT, WRITING & PERFORMANCE: Pauline L. Boulba
ARTISTIC COLLABORATORS: Morgane Brien-Hamdane, Aminata Labor, Sandar Tun Tun, a choir (cast to be announced)
PRODUCTION AND MANAGEMENT: OKAY CONFIANCE
EDITORIAL SUPPORT: Maison Trouble / Barbara Coffy
PARTNERS: ICI / CCN de Montpellier, Centre chorégraphique national de Grenoble as part of the studio residency program, CDCN Le Pacifique
SUPPORT: La Métive, Le Pli (Bordeaux)
Pauline L. Boulba, Mila Ercoli

RESIDENCY AT THE CCN GRENOBLE
JUNE 29-30, 2024
DECEMBER 21-22, 2024
PUBLIC PROGRAMS: Ruth Childs, Katerina Andreou, Bryan Campbell, Luara Raio
SUPPORTED BY: CCN Grenoble, Pavillon/ADC, en cours
RESIDENCY AT THE CCN GRENOBLE
FROM JANUARY 2024 TO DECEMBER 2025
JUNE 29-30, 2024
DECEMBER 21-22, 2024
Upon arriving for her residency at the CCN studio CCN Grenoble, with the mountains before her, Ruth Childs thinking about the artists who had passed through—those who had been there before her and those who would come after. She knows some of them very well, others less so, by name or by sight, and still others not at all. She was struck by the lack of connection between them. She wanted to leave a little note of encouragement, a surprise, check in, ask a question about elements she had picked up from their work. But due to a lack of time, caught up in her own work, her thoughts simply materialized as “likes” via social media, a Facebook page, or Instagram.
To combat this lack of exchange, symptomatic of the current era, she draws inspiration from the free, intimate, handwritten correspondence of members of the Judson Church (Steve Paxton, Yvonne Rainer, Lucinda Childs…) to imagine a space-time that allows for correspondence with a small group of artists. A space-time to exchange ideas, ask questions, get lost together, have fun, and share the details of their artistic questions and struggles. These exchanges may be short and spontaneous (like a postcard) or more carefully crafted (like a letter), but should, ideally, be handwritten and sent by mail.
The primary goal of this project is to foster openness and the shared experience of a genuine, long-term exchange. In a second phase, and in agreement with the group, a publication of some or all of the correspondence produced in 2026 could be considered.