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Katerina Andreou
BLESS THIS MESS

In residence at CCN Grenoble

March 11 to 15, 2024

French premiere June 6 & 7, 2024 at KLAP, Marseille (FRA).

DESIGN / CREATION: Katerina Andreou
PERFORMANCE: Katerina Andreou, Lily Brieu Nguyen, Baptiste Cazaux, Melissa Guex
SOUND SYSTEM: Katerina Andreou with Cristian Sotomayor
SPACE AND LIGHTING:
Yannick Fouassier
EXTERNAL REGARDS: Costas Kekis
TECHNICAL DIRECTION: Thomas Roulleau Gallais
PRODUCTION / DISTRIBUTION MANAGER: Elodie Perrin
‍ PRODUCTION: BARK
COPRODUCTORS: CCN de Caen en Normandie dans le cadre du dispositif " Artiste associé ", Athens Epidaurus Festival, T2G théâtre de Genevilliers, Festival d'Automne à Paris, Kunstenfestivaldesarts Bruxelles, Next Festival, ADC Genève, les Subs - lieu vivant d'expériences artistiques, Lyon, Maison de la Danse, Lyon - Pôle européen de Création -, CCN de Grenoble dans le cadre de l'accueil studio, CCNR, Centre chorégraphique national de Rillieux-la-Pape, ICI-CCN Montpellier Occitanie / direction Christian Rizzo, KLAP Maison pour la danse à Marseille
HOME IN RESIDENCE : Espace Pasolini, Kunstencentrum BUDA Courtrai

WITH SUPPORT FROM: Direction des Affaires Culturelles Auvergne-Rhône-Alpes, patronage of Caisse des Dépôts, Dance Reflections by Van Cleef & Arpels

Creation of Bless This Mess began at watermill center - a laboratory for performance in April 2023

© Hélène Robert

In residence at CCN Grenoble

March 11 to 15, 2024

French premiere June 6 & 7, 2024 at KLAP, Marseille (FRA).

In an attempt to regain strength, but also to build a space of trust for indispensable resistance, Katerina Andreou asks the question: how can confusion be turned into a tool, a strategy for creation?

For her first group piece, the artist, dancer, choreographer and musician is basing herself on what she calls a "constant noise", an autobiographical state but situated in a society whose reference points seem to shift to such an extent that instability and doubt are inevitable. Bless This Mess is born in this bubbling space, full of blind spots, which creates momentum and an irrepressible desire to act/react, with others.

In this piece, Katerina Andreou attempts to place choreographic and sound work in a place of necessity, and to leave room for absurdity and play - the only way to fabricate a genuine space of respite and joy.

Born in Athens, Katerina Andreou is a dancer, choreographer and musician based in France. She develops a physical practice specific to each project, seeking states of presence that often challenge notions of authority and censorship. She creates the sound environment of her pieces herself, which becomes her principal dramaturgical tool.

Katerina Andreou

DESIGN / CREATION: Katerina Andreou
PERFORMANCE: Katerina Andreou, Lily Brieu Nguyen, Baptiste Cazaux, Melissa Guex
SOUND SYSTEM: Katerina Andreou with Cristian Sotomayor
SPACE AND LIGHTING:
Yannick Fouassier
EXTERNAL REGARDS: Costas Kekis
TECHNICAL DIRECTION: Thomas Roulleau Gallais
PRODUCTION / DISTRIBUTION MANAGER: Elodie Perrin
‍ PRODUCTION: BARK
COPRODUCTORS: CCN de Caen en Normandie dans le cadre du dispositif " Artiste associé ", Athens Epidaurus Festival, T2G théâtre de Genevilliers, Festival d'Automne à Paris, Kunstenfestivaldesarts Bruxelles, Next Festival, ADC Genève, les Subs - lieu vivant d'expériences artistiques, Lyon, Maison de la Danse, Lyon - Pôle européen de Création -, CCN de Grenoble dans le cadre de l'accueil studio, CCNR, Centre chorégraphique national de Rillieux-la-Pape, ICI-CCN Montpellier Occitanie / direction Christian Rizzo, KLAP Maison pour la danse à Marseille
HOME IN RESIDENCE : Espace Pasolini, Kunstencentrum BUDA Courtrai

WITH SUPPORT FROM: Direction des Affaires Culturelles Auvergne-Rhône-Alpes, patronage of Caisse des Dépôts, Dance Reflections by Van Cleef & Arpels

Creation of Bless This Mess began at watermill center - a laboratory for performance in April 2023

© Hélène Robert

In residence at CCN Grenoble

March 11 to 15, 2024

French premiere June 6 & 7, 2024 at KLAP, Marseille (FRA).

DESIGN / CREATION: Katerina Andreou
PERFORMANCE: Katerina Andreou, Lily Brieu Nguyen, Baptiste Cazaux, Melissa Guex
SOUND SYSTEM: Katerina Andreou with Cristian Sotomayor
SPACE AND LIGHTING:
Yannick Fouassier
EXTERNAL REGARDS: Costas Kekis
TECHNICAL DIRECTION: Thomas Roulleau Gallais
PRODUCTION / DISTRIBUTION MANAGER: Elodie Perrin
‍ PRODUCTION: BARK
COPRODUCTORS: CCN de Caen en Normandie dans le cadre du dispositif " Artiste associé ", Athens Epidaurus Festival, T2G théâtre de Genevilliers, Festival d'Automne à Paris, Kunstenfestivaldesarts Bruxelles, Next Festival, ADC Genève, les Subs - lieu vivant d'expériences artistiques, Lyon, Maison de la Danse, Lyon - Pôle européen de Création -, CCN de Grenoble dans le cadre de l'accueil studio, CCNR, Centre chorégraphique national de Rillieux-la-Pape, ICI-CCN Montpellier Occitanie / direction Christian Rizzo, KLAP Maison pour la danse à Marseille
HOME IN RESIDENCE : Espace Pasolini, Kunstencentrum BUDA Courtrai

WITH SUPPORT FROM: Direction des Affaires Culturelles Auvergne-Rhône-Alpes, patronage of Caisse des Dépôts, Dance Reflections by Van Cleef & Arpels

Creation of Bless This Mess began at watermill center - a laboratory for performance in April 2023

© Hélène Robert

In residence at CCN Grenoble

March 11 to 15, 2024

French premiere June 6 & 7, 2024 at KLAP, Marseille (FRA).

CORRESPON-
DANCES

DESIGN / CREATION: Katerina Andreou
PERFORMANCE: Katerina Andreou, Lily Brieu Nguyen, Baptiste Cazaux, Melissa Guex
SOUND SYSTEM: Katerina Andreou with Cristian Sotomayor
SPACE AND LIGHTING:
Yannick Fouassier
EXTERNAL REGARDS: Costas Kekis
TECHNICAL DIRECTION: Thomas Roulleau Gallais
PRODUCTION / DISTRIBUTION MANAGER: Elodie Perrin
‍ PRODUCTION: BARK
COPRODUCTORS: CCN de Caen en Normandie dans le cadre du dispositif " Artiste associé ", Athens Epidaurus Festival, T2G théâtre de Genevilliers, Festival d'Automne à Paris, Kunstenfestivaldesarts Bruxelles, Next Festival, ADC Genève, les Subs - lieu vivant d'expériences artistiques, Lyon, Maison de la Danse, Lyon - Pôle européen de Création -, CCN de Grenoble dans le cadre de l'accueil studio, CCNR, Centre chorégraphique national de Rillieux-la-Pape, ICI-CCN Montpellier Occitanie / direction Christian Rizzo, KLAP Maison pour la danse à Marseille
HOME IN RESIDENCE : Espace Pasolini, Kunstencentrum BUDA Courtrai

WITH SUPPORT FROM: Direction des Affaires Culturelles Auvergne-Rhône-Alpes, patronage of Caisse des Dépôts, Dance Reflections by Van Cleef & Arpels

Creation of Bless This Mess began at watermill center - a laboratory for performance in April 2023

© Hélène Robert

between artists

RESIDENCY AT CCN GRENOBLE

JUNE 29-30, 2024
DECEMBER 21-22, 2024

WITH THE ARTISTS: Ruth Childs, Katerina Andreou, Bryan Campbell, Luara Raio
SUPPORT: CCN de Grenoble, Pavillon/ADC, in progress

RESIDENCY AT CCN GRENOBLE

FROM JANUARY 2024 TO DECEMBER 2025

JUNE 29-30, 2024
DECEMBER 21-22, 2024

On arriving for her residency in the CCN Grenoble studio, facing the mountains, Ruth Childs found herself thinking about the artists who had passed through this place before her and would do so after her. She knew some of them very well, others a little less, by name or by sight, others not at all. She was struck by the lack of connection between them. She wanted to leave a note of encouragement, a surprise, check in, ask a question about something she'd picked up from their work. But due to lack of time, caught up in her own work, her thoughts simply materialized in the form of "likes" via social networks, a Facebook or Instagram page.

To combat this lack of exchange, symptomatic of the current era, she drew inspiration from the free, intimate, handwritten correspondences of Judson Church members (Steve Paxton, Yvonne Rainer, Lucinda Childs...) to imagine a space-time for correspondence with a small group of artists. A space-time to exchange ideas, ask questions, get lost together, have fun, tell each other details of their artistic questionings and troubles. These exchanges can be short and spontaneous (like a postcard) or more polished (like a letter), but will preferably be handwritten and sent by post.

The primary aim of this project is to open up and share the experience of a genuine long-term exchange. In a second phase, and in agreement with the group, we could consider publishing some or all of the correspondence produced in 2026.

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