In residence at CCN
MARCH 24 TO 28, 2025
Created October 2025 at Points Communs, Scène nationale de Cergy Pontoise as part of the Festival d'Automne à Paris.
CHOREOGRAPHY: Calixto Neto
PERFORMANCE: Acauã Shereya, Andrège Bidiamambu, Stanley Ollivier, Isabela Fernandes Santana
PIANISTS: Omar Gabriel Delnevo (musical director), Mackenzy Bergile
CHOREOGRAPHY ASSISTANT: Carolina Campos
SET AND COSTUMES: in progress
LIGHTING: Eduardo Abdala
TECHNICAL DIRECTION: Marie Predour
PRODUCTION, ADMINISTRATION AND DISTRIBUTION: Julie Le Gall
PRODUCTION DÉLÉGUÉE: VOA
COPRODUCTIONS: Points Communs - Nouvelle Scène National de Cergy-Pontoise / Val d'Oise, Festival d'Automne à Paris, Centre National de la danse, Charleroi Danse, Mille Plateaux - CCN de la Rochelle, CCN de Grenoble dans le cadre de l'accueil studio 2025, Accueil-studio CNDC Angers
WITH THE SUPPORT OF : BUDA - Courtrai, La Ménagerie de Verre and DRAC Ile-de-France as part of the agreement
In residence at CCN
MARCH 24 TO 28, 2025
Created October 2025 at Points Communs, Scène nationale de Cergy Pontoise as part of the Festival d'Automne à Paris.
Bruits Marrons takes as its starting point the work Evil Nigger and the reflections on the life of its composer, the Afro-American musician Julius Eastman. Inspired by the quilombos (free and autonomous communities of maroon slaves), choreographer Calixto Neto brings together two musicians and four dancers (and a large artistic and technical team) to create an ephemeral community that questions resistance and solidarity through music that blends rage and beauty. A choreographic approach to Julius Eastman's music, whose political power still resonates today.
Originally from Recife, Brazil, and based in France since 2013, Calixto Neto trained in theater at the Federal University of Pernambuco, then in dance with the Groupe Experimental de Danse before taking the ex.e.r.ce master's degree in choreography at the Centre chorégraphique national de Montpellier. In his work, he strives to make minority bodies and identities visible, and is interested in "peripheral" dance on the bangs of institutional circuits. Calixto Neto is artist-in-residence at Scène Nationale de Cergy-Pontoise / Val d'Oise 2024-2026.
CHOREOGRAPHY: Calixto Neto
PERFORMANCE: Acauã Shereya, Andrège Bidiamambu, Stanley Ollivier, Isabela Fernandes Santana
PIANISTS: Omar Gabriel Delnevo (musical director), Mackenzy Bergile
CHOREOGRAPHY ASSISTANT: Carolina Campos
SET AND COSTUMES: in progress
LIGHTING: Eduardo Abdala
TECHNICAL DIRECTION: Marie Predour
PRODUCTION, ADMINISTRATION AND DISTRIBUTION: Julie Le Gall
PRODUCTION DÉLÉGUÉE: VOA
COPRODUCTIONS: Points Communs - Nouvelle Scène National de Cergy-Pontoise / Val d'Oise, Festival d'Automne à Paris, Centre National de la danse, Charleroi Danse, Mille Plateaux - CCN de la Rochelle, CCN de Grenoble dans le cadre de l'accueil studio 2025, Accueil-studio CNDC Angers
WITH THE SUPPORT OF : BUDA - Courtrai, La Ménagerie de Verre and DRAC Ile-de-France as part of the agreement
In residence at CCN
MARCH 24 TO 28, 2025
Created October 2025 at Points Communs, Scène nationale de Cergy Pontoise as part of the Festival d'Automne à Paris.
CHOREOGRAPHY: Calixto Neto
PERFORMANCE: Acauã Shereya, Andrège Bidiamambu, Stanley Ollivier, Isabela Fernandes Santana
PIANISTS: Omar Gabriel Delnevo (musical director), Mackenzy Bergile
CHOREOGRAPHY ASSISTANT: Carolina Campos
SET AND COSTUMES: in progress
LIGHTING: Eduardo Abdala
TECHNICAL DIRECTION: Marie Predour
PRODUCTION, ADMINISTRATION AND DISTRIBUTION: Julie Le Gall
PRODUCTION DÉLÉGUÉE: VOA
COPRODUCTIONS: Points Communs - Nouvelle Scène National de Cergy-Pontoise / Val d'Oise, Festival d'Automne à Paris, Centre National de la danse, Charleroi Danse, Mille Plateaux - CCN de la Rochelle, CCN de Grenoble dans le cadre de l'accueil studio 2025, Accueil-studio CNDC Angers
WITH THE SUPPORT OF : BUDA - Courtrai, La Ménagerie de Verre and DRAC Ile-de-France as part of the agreement
In residence at CCN
MARCH 24 TO 28, 2025
Created October 2025 at Points Communs, Scène nationale de Cergy Pontoise as part of the Festival d'Automne à Paris.
CHOREOGRAPHY: Calixto Neto
PERFORMANCE: Acauã Shereya, Andrège Bidiamambu, Stanley Ollivier, Isabela Fernandes Santana
PIANISTS: Omar Gabriel Delnevo (musical director), Mackenzy Bergile
CHOREOGRAPHY ASSISTANT: Carolina Campos
SET AND COSTUMES: in progress
LIGHTING: Eduardo Abdala
TECHNICAL DIRECTION: Marie Predour
PRODUCTION, ADMINISTRATION AND DISTRIBUTION: Julie Le Gall
PRODUCTION DÉLÉGUÉE: VOA
COPRODUCTIONS: Points Communs - Nouvelle Scène National de Cergy-Pontoise / Val d'Oise, Festival d'Automne à Paris, Centre National de la danse, Charleroi Danse, Mille Plateaux - CCN de la Rochelle, CCN de Grenoble dans le cadre de l'accueil studio 2025, Accueil-studio CNDC Angers
WITH THE SUPPORT OF : BUDA - Courtrai, La Ménagerie de Verre and DRAC Ile-de-France as part of the agreement
RESIDENCY AT CCN GRENOBLE
JUNE 29-30, 2024
DECEMBER 21-22, 2024
WITH THE ARTISTS: Ruth Childs, Katerina Andreou, Bryan Campbell, Luara Raio
SUPPORT: CCN de Grenoble, Pavillon/ADC, in progress
RESIDENCY AT CCN GRENOBLE
FROM JANUARY 2024 TO DECEMBER 2025
JUNE 29-30, 2024
DECEMBER 21-22, 2024
On arriving for her residency in the CCN Grenoble studio, facing the mountains, Ruth Childs found herself thinking about the artists who had passed through this place before her and would do so after her. She knew some of them very well, others a little less, by name or by sight, others not at all. She was struck by the lack of connection between them. She wanted to leave a note of encouragement, a surprise, check in, ask a question about something she'd picked up from their work. But due to lack of time, caught up in her own work, her thoughts simply materialized in the form of "likes" via social networks, a Facebook or Instagram page.
To combat this lack of exchange, symptomatic of the current era, she drew inspiration from the free, intimate, handwritten correspondences of Judson Church members (Steve Paxton, Yvonne Rainer, Lucinda Childs...) to imagine a space-time for correspondence with a small group of artists. A space-time to exchange ideas, ask questions, get lost together, have fun, tell each other details of their artistic questionings and troubles. These exchanges can be short and spontaneous (like a postcard) or more polished (like a letter), but will preferably be handwritten and sent by post.
The primary aim of this project is to open up and share the experience of a genuine long-term exchange. In a second phase, and in agreement with the group, we could consider publishing some or all of the correspondence produced in 2026.