direction
AINA
ALEGRE

SEPTEMBER 2025

19-20 / FLEETING

Lyon Dance Biennial, France

27 / PARADES & ACTS OF DISOBEDIENCE

Event as part of the IMPACT Festival, Grenoble, France

OCTOBER 2025

17–18–19 / FUGACES

Mercat de les Flors, Barcelona, Spain

DECEMBER 2025

16–17–18–19 / FUGACES

Bonlieu National Theater, Annecy, France

FEBRUARY 2026

03 / REVERBERATION - STUDY8

Hexagone - National Theater, Meylan, France

MARCH 2026

03 / FUGACES

Théâtre de l'Arsenal, Val de Reuil, France

20–21 / REVERBERATION – STUDY 8

Les Printemps de Sévelin Festival
, Sévelin 36 – Lausanne, Switzerland

25 / FUGACES

La Raffinerie, Brussels, Belgium
LEGS Festival - Charleroi Dance

27 / REVERBERATION - STUDY 8

LUX - National Theater, Valence, France

28 / Fleeting

La Condition Publique, Le Grand Bain Festival, Le Gymnase CDCN – Roubaix, France

JUNE 2026

04 / FUGACES

La Maison Danse, Uzès, France

A choreographer and dancer, Aina Alegre has been creating a wide range of shows and performances since 2010. She views choreographic creation as a space for opening up new imaginaries around the body. Through dance, she explores different relationships with the collective body, and her choreographic work is conceived as an “orchestration” of movement, sound, light, and space. For several years now, Aina Alegre has been developing a style that is as much choreographic as it is musical. Through her creations, she also conducts research on the concepts of memory and archives, which run through her entire body of work.

Career path

After completing a multidisciplinary training program combining dance, theater, and music in Barcelona, Aina Alegre joined the CNDC in Angers in 2007. Beginning in 2010, she worked as a performer while also creating stage productions and performances in hybrid spaces. In 2014, she founded the company STUDIO FICTIF in Paris to support her projects and creations. Since then, her work has been presented in various countries, including Spain, France, Italy, Belgium, Greece, Switzerland, Germany, Peru, and Romania.

STUDIO FICTIF

In 2011, she created the performance *LA MAJADESNUDA DICE*, which led to the creation of the piece *NO SE TRATA DE UN DESNUDO MITOLÓGICO* (2012). She subsequently created *DELICES* (2015), *LE JOUR DE LA BÊTE* (2017), and *LA NUITNOS AUTRES* (2019). In 2020, she created the piece CONCRERTO in collaboration with David Wampach and the solo R-A-U-X-A. In 2021, she created ÉTUDE 4, FANDANGO ET AUTRES CADENCES at the Avignon Festival as part of the “Vive le sujet!” program, co-produced with the SACD. In 2022, she premiered her first major group piece, THIS IS NOT (AN ACT OF LOVE & RESISTANCE). In 2023, she premiered SWING-MOTOR for the Jeune Ballet du CNSMD de Lyon. That same year, she opened the Marseille Festival with PARADES & DÉSOBÉISSANCES, a piece bringing together over a hundred amateur dancers, which was revived in 2024 at the Palais des Sports in Grenoble. Since May 2024, she has been performing BLAU in museum settings, a solo piece originally conceived for the Miró exhibition at the Musée de Grenoble. In March 2025, she premiered FUGACES at the MC2: Grenoble, a piece for seven dancers. In July 2025, she presented a new version of PARADES & DÉSOBÉISSANCES, in collaboration with Bonlieu Scène nationale Annecy, as the opening performance of Annecy Paysages and at the Défilé de la Biennale de Lyon.
 
Alongside her stage projects, since 2018 she has been developing the research and performance project ÉTUDES, through which she engages with people and communities and collects stories and dances centered on practices and movements related to hammering and striking. She works with memory and archives, using speech as a choreographic driving force. In the fall of 2024, she presented her latest study, RÉVERBÉRATIONS - ÉTUDE 8, at the Festival Les Inaccoutumées at the Ménagerie de Verre in Paris.

Since 2023, she has co-directed the Centre chorégraphique national de Grenoble with dancer Yannick Hugron.

AWARDS
In 2019, she won the jury prize at the Podium competition for the piece DELICES.
In 2023, she received the Serra d'Or Critics' Award for Best Dance Performance for the piece R-A-U-X-A.

YANNICK
HUGRON

fugaces

by Aina Alegre

September 19 and 20, 2025 - Biennale de la danse de Lyon, France

October 17, 18, and 19, 2025 - Mercat de les Flors, Barcelona, Spain

December 16, 17, 18, and 19, 2025 - Bonlieu Scène nationale, Annecy, France

March 3, 2026 - Théâtre de l'Arsenal, Val de Reuil, France

March 25, 2026 - La Raffinerie, Brussels, Belgium - LEGS Festival - Charleroi Danse

March 28, 2026 - La Condition Publique, Le Grand Bain Festival, Le Gymnase CDCN - Roubaix, France

May 2026 - Dublin Dance Festival, Ireland

June 2026 – Julidans, Amsterdam, Netherlands


AND HOLD HANDS

by Mélanie Perrier

December 4 and 5 – Le Dôme Théâtre, Albertville, France


Admiral Sénès

by Marion Carriau

December 12 – Centre Chorégraphique National de Tours, directed by Thomas Lebrun, France

Yannick Hugron is a dancer, teacher, choreographic assistant, and costume designer. He views his artistic journey as a constantly evolving exploration, enriched by the diverse experiences and ideas he encounters.  His concerns regarding the profession of a performer and its fragile longevity lead him to re-examine the tools available to him, as well as his place today in the choreographic world.

After training at the Centre chorégraphique national de Montpellier and studying at the Conservatoire national supérieur de danse de Lyon, Yannick Hugron joined the Centre chorégraphique national de Grenoble under Jean Claude Gallotta, with whom he worked for over ten years before going on to perform his repertoire in France and abroad.

As a performer, he went on to collaborate with artists such as Alban Richard, Fabrice Lambert, Joanne Leighton, Mithkal Alzghair, Mélanie Perrier, Marion Carriau, and Aina Alegre.

His experience quickly became multifaceted. He has participated in numerous educational programs, co-founded a Franco-Japanese creative platform in Japan aimed at fostering emerging artists, assisted on many choreographic projects, and directed and designed the set (in collaboration with designer Stephanie Langard) for baritone Marc Mauillon’s recital.

His artistic collaborations have also led him to research and develop instantaneous composition with Katell Hartereau and Leonard Rainis, as well as a shift toward somatic practices.

His meeting with Alexandra Bertaut led him to design and produce the set and costumes for the project Chêne centenaire by Marion Carriau and Magda Kachouche.

As a performer, he is participating in the upcoming productions by Marion Carriau, L'Amiral Sénès (2024), and by Aina Alegre, FUGACES (2025).

Since 2023, Yannick Hugron has co-directed the Centre chorégraphique national de Grenoble alongside choreographer Aina Alegre.

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