In residence at CCN
JUNE 2 TO 6, 2025
First performance at the Mac Orlan as part of the DañsFabrik Festival on March 6 or 7, 2026
CHOREOGRAPHY, DESIGN: Ola Maciejewska
INTERPRETATION: Maëva Berthelot, Marta Capaccioli, Luis Carricaburu, Jean Lesca, Leah Marojevic
SOUND: Carola Caggiano
LIGHTING: Rima Ben Brahim
ASSISTANCE CREATION: Maciej Sado
DESIGN DANCING OBJECTS: Ola Maciejewska
PRODUCTION DANCING OBJECTS: Cedric Tirado
EXTERNAL VISION: Anna Massoni, Gilles Amalvi
PRODUCTION: so we might as well dance Caroline Redy, Capucine Goin
DIFFUSION: Anouk Peytavin
PRODUCTION so we might as well dance
COPRODUCTION Cndc - Angers dans le cadre des Accueil Studio / Charleroi danse, center chorégraphique de Wallonie - Bruxelles / CCN Grenoble - dans le cadre des Accueil Studio, (en cours) ...
With the support of Dance Reflections by Van Cleef & Arpels
With the support of Ministère de la Culture - Drac Bretagne
ACKNOWLEDGEMENTS: Watermill Center - New York, C.A.M.P, ICI - Centre chorégraphique national Montpellier Occitanie / as part of Par/ICI
In residence at CCN
JUNE 2 TO 6, 2025
First performance at the Mac Orlan as part of the DañsFabrik Festival on March 6 or 7, 2026
Through Loïe Fuller's serpentine dances, Ola Maciejewska explores the materiality of the complex relationship between the veils, the person activating them and the resulting overall movement. By simultaneously exposing the serpentine dances and their negative - what the link with the veil structure does to the body that operates it - Ola Maciejewska questions the nuances between presence and absence, installation and embodiment. In this piece, constructions come to life and create human architectures, animated sculptures into which bodies slip, inhabit and animate them.
Ola Maciejewska is a contemporary artist working mainly in dance, choreography and installation. Her work focuses on the frictions between materiality and ephemerality, movement and its conditions of appearance. In the light of these questions, she produces a critical reading of the history of dance. Working on the convergences between dance and the visual arts, her series of works based on the serpentine dances invented by Loïe Fuller engage the viewer in a reflection on metamorphosis, synesthesia and the hybrid nature of embodiment.
CHOREOGRAPHY, DESIGN: Ola Maciejewska
INTERPRETATION: Maëva Berthelot, Marta Capaccioli, Luis Carricaburu, Jean Lesca, Leah Marojevic
SOUND: Carola Caggiano
LIGHTING: Rima Ben Brahim
ASSISTANCE CREATION: Maciej Sado
DESIGN DANCING OBJECTS: Ola Maciejewska
PRODUCTION DANCING OBJECTS: Cedric Tirado
EXTERNAL VISION: Anna Massoni, Gilles Amalvi
PRODUCTION: so we might as well dance Caroline Redy, Capucine Goin
DIFFUSION: Anouk Peytavin
PRODUCTION so we might as well dance
COPRODUCTION Cndc - Angers dans le cadre des Accueil Studio / Charleroi danse, center chorégraphique de Wallonie - Bruxelles / CCN Grenoble - dans le cadre des Accueil Studio, (en cours) ...
With the support of Dance Reflections by Van Cleef & Arpels
With the support of Ministère de la Culture - Drac Bretagne
ACKNOWLEDGEMENTS: Watermill Center - New York, C.A.M.P, ICI - Centre chorégraphique national Montpellier Occitanie / as part of Par/ICI
In residence at CCN
JUNE 2 TO 6, 2025
First performance at the Mac Orlan as part of the DañsFabrik Festival on March 6 or 7, 2026
CHOREOGRAPHY, DESIGN: Ola Maciejewska
INTERPRETATION: Maëva Berthelot, Marta Capaccioli, Luis Carricaburu, Jean Lesca, Leah Marojevic
SOUND: Carola Caggiano
LIGHTING: Rima Ben Brahim
ASSISTANCE CREATION: Maciej Sado
DESIGN DANCING OBJECTS: Ola Maciejewska
PRODUCTION DANCING OBJECTS: Cedric Tirado
EXTERNAL VISION: Anna Massoni, Gilles Amalvi
PRODUCTION: so we might as well dance Caroline Redy, Capucine Goin
DIFFUSION: Anouk Peytavin
PRODUCTION so we might as well dance
COPRODUCTION Cndc - Angers dans le cadre des Accueil Studio / Charleroi danse, center chorégraphique de Wallonie - Bruxelles / CCN Grenoble - dans le cadre des Accueil Studio, (en cours) ...
With the support of Dance Reflections by Van Cleef & Arpels
With the support of Ministère de la Culture - Drac Bretagne
ACKNOWLEDGEMENTS: Watermill Center - New York, C.A.M.P, ICI - Centre chorégraphique national Montpellier Occitanie / as part of Par/ICI
In residence at CCN
JUNE 2 TO 6, 2025
First performance at the Mac Orlan as part of the DañsFabrik Festival on March 6 or 7, 2026
CHOREOGRAPHY, DESIGN: Ola Maciejewska
INTERPRETATION: Maëva Berthelot, Marta Capaccioli, Luis Carricaburu, Jean Lesca, Leah Marojevic
SOUND: Carola Caggiano
LIGHTING: Rima Ben Brahim
ASSISTANCE CREATION: Maciej Sado
DESIGN DANCING OBJECTS: Ola Maciejewska
PRODUCTION DANCING OBJECTS: Cedric Tirado
EXTERNAL VISION: Anna Massoni, Gilles Amalvi
PRODUCTION: so we might as well dance Caroline Redy, Capucine Goin
DIFFUSION: Anouk Peytavin
PRODUCTION so we might as well dance
COPRODUCTION Cndc - Angers dans le cadre des Accueil Studio / Charleroi danse, center chorégraphique de Wallonie - Bruxelles / CCN Grenoble - dans le cadre des Accueil Studio, (en cours) ...
With the support of Dance Reflections by Van Cleef & Arpels
With the support of Ministère de la Culture - Drac Bretagne
ACKNOWLEDGEMENTS: Watermill Center - New York, C.A.M.P, ICI - Centre chorégraphique national Montpellier Occitanie / as part of Par/ICI
RESIDENCY AT CCN GRENOBLE
JUNE 29-30, 2024
DECEMBER 21-22, 2024
WITH THE ARTISTS: Ruth Childs, Katerina Andreou, Bryan Campbell, Luara Raio
SUPPORT: CCN de Grenoble, Pavillon/ADC, in progress
RESIDENCY AT CCN GRENOBLE
FROM JANUARY 2024 TO DECEMBER 2025
JUNE 29-30, 2024
DECEMBER 21-22, 2024
On arriving for her residency in the CCN Grenoble studio, facing the mountains, Ruth Childs found herself thinking about the artists who had passed through this place before her and would do so after her. She knew some of them very well, others a little less, by name or by sight, others not at all. She was struck by the lack of connection between them. She wanted to leave a note of encouragement, a surprise, check in, ask a question about something she'd picked up from their work. But due to lack of time, caught up in her own work, her thoughts simply materialized in the form of "likes" via social networks, a Facebook or Instagram page.
To combat this lack of exchange, symptomatic of the current era, she drew inspiration from the free, intimate, handwritten correspondences of Judson Church members (Steve Paxton, Yvonne Rainer, Lucinda Childs...) to imagine a space-time for correspondence with a small group of artists. A space-time to exchange ideas, ask questions, get lost together, have fun, tell each other details of their artistic questionings and troubles. These exchanges can be short and spontaneous (like a postcard) or more polished (like a letter), but will preferably be handwritten and sent by post.
The primary aim of this project is to open up and share the experience of a genuine long-term exchange. In a second phase, and in agreement with the group, we could consider publishing some or all of the correspondence produced in 2026.