In residence at CCN
APRIL 21 TO MAY 2, 2025
Premiere end of June 2025 at Festival Montpellier Danse
CHOREOGRAPHY AND COSTUMES: David Wampach
DANCE: Tamar Shelef, Léa Leclerc, David Wampach
SOUND: Yann Yves Hurtado
LIGHTING: Dorothée Dubus
ARTISTIC ADVISORS: Dalila Khatir, Silvia Di Rienzo
PRODUCTION AND DISTRIBUTION: Karen Jouve
ADMINISTRATION: Sylvie Suire
COPRODUCTIONS: Festival Montpellier Danse 2025, Le Cratère, scènenationale d'Alès
In residence at CCN
APRIL 21 TO MAY 2, 2025
Premiere end of June 2025 at Festival Montpellier Danse
"Our environment plays a decisive role in creating and sustaining neuroses. Yet it can also do the opposite, transforming madness into poetry. Based on this observation, David Wampach proposes to rethink our environment. For this new project, he will explore Grenoble's urban and suburban spaces, as well as natural areas, to gather concrete or abstract materials, then return to the studio to write choreographic scores and construct ephemeral architectural follies. Taking up the etymology of the word "folie" (foliage, a shelter made of leaves and branches), he imagines creating a cabin inside the studio.
Before turning to artistic creation, David Wampach studied medicine at the University of Montpellier. His experiences as a spectator led him to take an interest in the performing arts, first in theater, then in dance. In 2000, he joined the ex.e.r.ce training program at the Centre chorégraphique national de Montpellier, directed by Mathilde Monnier, before studying at Anne Teresa de Keersmaeker's P.A.R.T.S. school in Brussels in 2001. In the course of his experiences, he developed a personal approach, imbued with theatrical and visual influences, which he inscribed in the Achles Association. Since 2021, he has been initiating and developing a local project in La Grand-Combe, in the Cévennes, opening a space called LA DÉTER in the town's former tourist office.
CHOREOGRAPHY AND COSTUMES: David Wampach
DANCE: Tamar Shelef, Léa Leclerc, David Wampach
SOUND: Yann Yves Hurtado
LIGHTING: Dorothée Dubus
ARTISTIC ADVISORS: Dalila Khatir, Silvia Di Rienzo
PRODUCTION AND DISTRIBUTION: Karen Jouve
ADMINISTRATION: Sylvie Suire
COPRODUCTIONS: Festival Montpellier Danse 2025, Le Cratère, scènenationale d'Alès
In residence at CCN
APRIL 21 TO MAY 2, 2025
Premiere end of June 2025 at Festival Montpellier Danse
CHOREOGRAPHY AND COSTUMES: David Wampach
DANCE: Tamar Shelef, Léa Leclerc, David Wampach
SOUND: Yann Yves Hurtado
LIGHTING: Dorothée Dubus
ARTISTIC ADVISORS: Dalila Khatir, Silvia Di Rienzo
PRODUCTION AND DISTRIBUTION: Karen Jouve
ADMINISTRATION: Sylvie Suire
COPRODUCTIONS: Festival Montpellier Danse 2025, Le Cratère, scènenationale d'Alès
In residence at CCN
APRIL 21 TO MAY 2, 2025
Premiere end of June 2025 at Festival Montpellier Danse
CHOREOGRAPHY AND COSTUMES: David Wampach
DANCE: Tamar Shelef, Léa Leclerc, David Wampach
SOUND: Yann Yves Hurtado
LIGHTING: Dorothée Dubus
ARTISTIC ADVISORS: Dalila Khatir, Silvia Di Rienzo
PRODUCTION AND DISTRIBUTION: Karen Jouve
ADMINISTRATION: Sylvie Suire
COPRODUCTIONS: Festival Montpellier Danse 2025, Le Cratère, scènenationale d'Alès
RESIDENCY AT CCN GRENOBLE
JUNE 29-30, 2024
DECEMBER 21-22, 2024
WITH THE ARTISTS: Ruth Childs, Katerina Andreou, Bryan Campbell, Luara Raio
SUPPORT: CCN de Grenoble, Pavillon/ADC, in progress
RESIDENCY AT CCN GRENOBLE
FROM JANUARY 2024 TO DECEMBER 2025
JUNE 29-30, 2024
DECEMBER 21-22, 2024
On arriving for her residency in the CCN Grenoble studio, facing the mountains, Ruth Childs found herself thinking about the artists who had passed through this place before her and would do so after her. She knew some of them very well, others a little less, by name or by sight, others not at all. She was struck by the lack of connection between them. She wanted to leave a note of encouragement, a surprise, check in, ask a question about something she'd picked up from their work. But due to lack of time, caught up in her own work, her thoughts simply materialized in the form of "likes" via social networks, a Facebook or Instagram page.
To combat this lack of exchange, symptomatic of the current era, she drew inspiration from the free, intimate, handwritten correspondences of Judson Church members (Steve Paxton, Yvonne Rainer, Lucinda Childs...) to imagine a space-time for correspondence with a small group of artists. A space-time to exchange ideas, ask questions, get lost together, have fun, tell each other details of their artistic questionings and troubles. These exchanges can be short and spontaneous (like a postcard) or more polished (like a letter), but will preferably be handwritten and sent by post.
The primary aim of this project is to open up and share the experience of a genuine long-term exchange. In a second phase, and in agreement with the group, we could consider publishing some or all of the correspondence produced in 2026.